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Came across ocremix back in 03 as wrapping up my freshman year of college and first year in the military. Between ocremix and halo.bungie.org i was checking there everyday for new content with my newly acquired high-speed internet connection. Many a mix cd was made from the chrono trigger music i got here.

Really cool vibe on this one, and I would love to see this on the site. However, there are some problems that should be addressed first. The drums are very repetitive and bland, playing a simple pattern that rarely gives a fill at the end of phrases. Melodically there's some embellishments that are appreciated, but the second half of the song is pretty much identical to the first, except for some half time drums at the end (which was a cool way to change things up). But before you know it, the arrangement is over with a whimper. The change-up in feel was good, it just came too late when it was needing to be done sooner. The production is handled mostly well, with minor imbalances as pointed out by prophetik. I would love to see the arrangement varied up with more time taken to look at the percussion and other places variation could be applied (such as melody or overall structure). I would also like to see this back as I feel this one has potential and want to see it on the front page with some changes. NO (resubmit)

Good news, everyone! https://williammichael.info/aocc/ The album is now uploaded to the site, please let me know if you encounter issues and I will attempt to fix them promptly.

Time to fire up that winter holidays spirit, make a snowman and hang a star atop the Christmas tree. 🎄☃️ Glad to help keep that OCR tradition alive and hoping folks will enjoy the heartwarming tunes. Cheers everyone! 🥂✨

Definitely a throwback vibe to earty 2000s trance, that's cool. The sound design choices are definitely a decision and that's both a good and bad thing. Good because you've nailed that specific vibe, but bad because it does sound generic too. No points lost for that, just wanted to point it out. Leads could benefit from some modulation or changing up. Onto the biggest issue I've noticed is the source usage. 0:29-0:43 and 0:51-1:20 are the only two spots where I can identify the source, and even those aren't direct carry-overs from the source. They are interpretive. Even with the breakdown, I'm not picking up on the source outside of those two spots. If you do go back to revisit this, you're going to really look carefully at how you use the sources and how you can make them more identifiable and dominant. There's also a couple places where the part writing sounds out of key that should be examined. Like prophetik mentioned, 2:11~ in the piano. During 2:25-2:50~ there is some clicks/popping from something, no idea what is causing it. Structurally, I feel the piece works overall. It takes us on a journey and tells a story. The ending however, does leave something to be desired as the ending loses steam after 3:53. I'm not saying it doesn't work, it's just not ideal. After all that it will probably sound like I hate this, but the opposite is true. It is an enjoyable throwback, but would need a reworking to get this over the bar. NO