Oh sweet lord, YES. This is kind of trance I haven't heard a lot of in years, and it really takes me back to when I first heard of the genre. And as a vocaloid fan, I'm down with robovocals one hundred percent, especially since, as others have pointed out, they sound incredible and clear. This ReMix has been handled so damn masterfully in the ways of trance, it almost brings a tear to my eye, I love it. I hope we hear more from you, Kuro.
Introduction
Past and future collide as two factions clash in the greatest musical battle the world has ever seen. Armored heroes meet metal warriors on the battlefield of wailing guitars, dirty drops, and soaring strings. Get ready, ladies and gentlemen, it’s time for Robots vs. Knights!
Current News
MUSIC FOR THE FINAL BATTLE IS UP! Round 9: One vs. One Final Battle
Team Robot
Team Knight
Squad
Artist
Source
vs
Source
Artist
Squad
Rush Squad
Gario
Ballade
vs
Wandering Travelers
JohnStacy
Armor Squad
Rush Squad
Starpheonix
Enker
vs
Shield Knight
GCJ
Armor Squad
Rush Squad
Thirdkoopa
Mercury
vs
Shovel Knight
Jorito
Relic Squad
Tango Squad
Chiwalker
Uranus
vs
Polar Knight
theshaggyfreak
Shovel Squad
Tango Squad
Yami
Pluto
vs
Plague Knight
akalink
Armor Squad
Tango Squad
Ronald Poe
Mars
vs
Propeller Knight
Anorax
Shovel Squad
Beat Squad
Trism
Saturn
vs
Spectre Knight
PlanarianHugger
Shovel Squad
Beat Squad
Xenonetix
Punk
vs
King Knight
Dewey Newt
Relic Squad
Beat Squad
MegaDrive
Venus
vs
Mole Knight
Arrow
Relic Squad
Remixes are due Sunday, June 18th at 9 PM EDT.
All competitors will compose and produce remixes that combine both sources into one, cohesive piece of music. Collaboration with teammates is allowed, but the primary artists should be the competitors listed in the table above. All competitors are encouraged (but not required) to share WIPs with teammates in order to get constructive feedback. Good luck and happy mixing.
A lot of team discussion is happening on the OC ReMix Discord, be sure to make yourselves available.
As always, all participants (competitors and voters) are expected to adhere to the Competitions Code of Conduct.
Scoreboard
Battle
Team Knight
Team Robot
Ballade vs Shovel Knight
2
0
Uranus vs Propeller Knight
0
2
Saturn vs Plague Knight
2
0
Enker vs Polar Knight
0
2
Pluto vs King Knight
0
2
Punk vs Shield Knight
2
0
Mercury vs Spectre Knight
0
2
Mars vs Mole Knight
0
0
Venus vs Wandering Travelers
0
2
Boss Battle vs Tinker Knight
0
9
Total
6
19
Teams
Team Knight
Artist
Source
Squad
Anorax
Propeller Knight
Shovel Squad
theshaggyfreak
Polar Knight
Shovel Squad
PlanarianHugger
Spectre Knight
Shovel Squad
akalink
Plague Knight
Armor Squad
GCJ
Shield Knight
Armor Squad
JohnStacy
Wandering Travelers
Armor Squad
Jorito
Shovel Knight
Relic Squad
Dewey Newt
King Knight
Relic Squad
Arrow
Mole Knight
Relic Squad
Team Robot
Artist
Source
Squad
Gario
Ballade
Rush Squad
Starpheonix
Enker
Rush Squad
Thirdkoopa
Mercury
Rush Squad
Chiwalker
Uranus
Tango Squad
Yami
Pluto
Tango Squad
Ronald Poe
Mars
Tango Squad
Trism
Saturn
Beat Squad
Xenonetix
Punk
Beat Squad
MegaDrive
Venus
Beat Squad
Releases
Round 1: Squad vs. Squad Block 1
Round 2: Squad vs. Squad Block 1
Round 3: Squad vs. Squad Block 1
Round 4: Boss Battle 1
Rounds 5-8: Block 2
Round 9: One vs. One Final Battle
About
Robots vs. Knights (RvK) is a Team vs. Team competition. It’s a new format that I’ve been developing for a couple of months now, combining elements of the head-to-head battles of the Remix Battle tournaments (GRMRB, etc.) with the teamwork aspect of Gauntlet tournaments (WCRG, etc.). Here’s the full breakdown of how it’s going to work.
Sign-ups
18 people sign up.
I’ll divide everyone into 2 teams of 9. I’ll be assigning people to their respective teams in order to ensure a balanced competition.
Each team will be given a pool of sources to select from. Team members will decide how to assign sources themselves. I won’t be running a draft.
Team Robots will be given a selection of sources from the Mega Man Game Boy games.
Team Knights will be given a selection of sources from Shovel Knight.
Each team will form 3 squads of 3 members each. The squad will be your group that you’ll rotate with throughout the competition, similar to the teams from gauntlet competitions.
Squad-vs-Squad Battle 1
The first 3 rounds are squad-vs-squad battles.
Each squad will decide their remixing order for the first three rounds and provide that to me.
Each round, I’ll post 3 match-ups between squads on opposing teams.
Each squad’s artist will submit a remix that uses their selected source and the opposing squad’s selected source.
At the end of each round, artists send their remixes to me, I’ll put the tracks up, and people will vote.
Each victory will earn points for the team.
Boss Battle 1
The 4th round is a boss battle.
I’ll post a boss theme source.
All 6 squads will submit a remix that combines the boss theme with one of the squad’s sources.
Any member of the squad can be the primary artist. The primary artist is not required to use their own personal source; they can use any of their squad’s 3 sources.
At the end of the round, voters will select their 3 favorite remixes, unranked.
The team that has the most selections at the end of the voting period will choose between two rewards: a chunk of points, or the right to counterpick in the next block of squad-vs-squad battles.
Break 1
While votes are being collected for Boss Battle 1, we will take a week-long break, using the time to review remixes from past rounds.
Squad-vs-Squad Battle 2
The next 3 rounds are squad-vs-squad battles.
If a team has the right to counterpick, they’ll be provided the opposing team’s remixing orders first before determining their remixing orders. I will still determine the actual match-ups based on the updated remixing orders.
The 3 rounds of squad-vs-squad battles are conducted as before.
Boss Battle 2
The 8th round is another boss battle, conducted in the same way as the previous boss battle round.
Break 2
While votes are being collected for Boss Battle 2, we will take a week-long break, using the time to review remixes from past rounds.
One-vs-One Battle
The 9th and final round is comprised of 9 one-on-one battles.
If a team has earned the right to counterpick from the previous round, they’ll be allowed to determine the 9 match-ups; rematches of previous battles from the squad-vs-squad blocks are not allowed.
If no team has counterpick, I’ll determine the match-ups.
Each artist will be responsible for writing a remix that uses their selected source and their opponent’s source.
At the end of the round, remixes will be submitted and voted on.
The team with the most victories will earn a large chunk of points.
The team with the most points at the end of the competition wins.
Submissions and File Name Rules
Submission
All entries must be sent to me (DarkeSword) via PM on the forums. Please include your team name, squad name, and the round number in the subject line of your PM. I encode all MP3s myself, so please send me your submissions in 16bit, 44.1KHz WAV format. Don’t send MP3s.
Please do not use MediaFire, RapidShare, or any other ad-ridden public sharing site as a host for your entry. There are many better options you can and should be using to host your music. I recommend Dropbox or SoundCloud. Make sure your files are downloadable.
File Names
If you worked on the remix without the help of your teammates:
Team Robots - DarkeSword - Be Cool, Man (Ice Man vs. Polar Knight).wav
If one team member helps you with your entry in a significant way and you want to give them credit, add their name as follows:
Team Robots - DarkeSword feat. Neblix - Be Cool, Man (Ice Man vs. Polar Knight).wav
If more than one team members help you with your entry in a significant way and you want to give them credit, add their names as follows:
Team Robots - DarkeSword feat. Neblix, Liontamer - Be Cool, Man (Ice Man vs. Polar Knight).wav
Notes
Make sure you’re using proper capitalization for team names and character names.
Put spaces on both sides of the hyphens between Team Name, Artist, and Title.
If your remix’s title has special punctuation that you can’t include in the file name (e.g. \ / : \* ? " < > |), please let me know in your submission PM so I can include the correct title in the tags.
Please follow the file name format exactly; I use the file names to make sure that all the metadata is correct when I tag the MP3s. It’s a massive pain sitting there renaming, re-spacing, and reformatting so that everything works properly with mp3tag’s file-name-to-tag tools, and ultimately it means that when you all do it right, I can get the music up for voting way faster.
Voting Rules and Guidelines
Voting is conducted publicly in the Public Voting forum. Every week, a thread will be created for the most recently completed round of remixing. Because RvK has two different types of rounds (squad-vs-squad and boss battle), please make sure you read and follow the instructions in the voting thread.
Things to keep in mind when voting:
The most important thing to consider when voting is how well the remix incorporates and arranges both themes. Production and enjoyability should also be considered, but this is primarily an arrangement competition.
Everyone is allowed (and encouraged) to vote, including competitors.
Everyone must adhere to the Competitions Code of Conduct.
FAQ
This is pretty interesting, but why are you doing this instead of just another Tournament or Gauntlet?
The philosophy behind RvK is to create an environment where more artists will be working together to help and learn from each other. I want to tap into the spirit of teamwork and collaboration in a bigger way this tournament. Rather than just having two friends working on tracks with you week to week, you’ll have eight other teammates that you can use as resources.
What do you mean by resources?
In the past, I’ve tried to limit the amount of collaboration allowed in competitions because I wanted to make sure that people were putting forth a concerted effort to grow as artists on their own. While we’ll still be adhering to the idea of a Primary Artist for each remix in RvK, some of the limitations will be relaxed. Artists will be able to get help from all 8 of their teammates. This includes production help, session instruments, and arrangement feedback. The Primary Artist will still be responsible for the bulk of the work that goes into a remix, but they’ll have a lot more help in getting that remix polished up.
How many remixes do I have to write?
You will be responsible for at least 3 remixes: 2 remixes from the squad-vs-squad battles, and 1 remix in the final battle. You may also be responsible for any of the boss battle remixes, but that will be up to your team.
Why can’t we choose our own teams?
I’m going to determine the teams based on skill level in order to ensure fairness across the board. I want both teams to have a healthy balance between novices and veterans.
Do we get to pick team names or squad names?
No. The two teams will be known as Team Robots and Team Knights. I will also be setting the squad names which will be revealed once we get the competition started.
I really want to be on Team Robots/Team Knights! Can you put me on that team?
I’ll consider your preference but I can’t guarantee anything.
Notes
Stardroid sprites used in Team Robot sigs were colorized by onyx801.
Okay, I feel really dumb asking this, but maybe it'll help other directors who are working on their own albums for OCR. There is this legal consent form remixers have to sign to give permission to have their tracks featured on the remix album once released on OCR, yes? How can we, as directors get access and view our specific project's list of mixers who have already signed the form? EDIT: This is also the best place I figured to ask this question.
This thread is a general Q&A/detail thread for Final Fantasy V - The Fabled Warriors, OCR’s FF5 album series.
About
There are 5 albums in The Fabled Warriors: WIND, WATER, FIRE, EARTH, and DAWN. Each album is comprised of arrangements written as character themes of important characters in the game and the job classes made available by the respective crystals. The fifth album doesn’t correspond to a crystal, as there is no “Dawn” crystal in the game; instead it covers the additional job classes available in the Gameboy Advance re-release.
Schedule
WIND was released in September 2010.
WATER was released in May 2016.
FIRE is targeted for 2018. This is not a release date or a promise, just a goal.
EARTH, and DAWN have no target dates.
Tracklist
Character
Description
Source
Style
Artist(s)
Faris
The reckless and courageous pirate captain.
Pirates Ahoy!
open
Gilgamesh
The eight-armed sword hunter.
Battle on the Big Bridge
An eight-member rock super-group called “The Eight Arms of Gilgamesh” collaborating to create a denser, more varied take on the source.
Sixto Sounds, hakstok, OA
Beastmaster
“Trainers whose open hearts and strong wills allow them to capture and control enemy monsters.”
aggressive
Sir_NutS
Geomancer
“Harnessing the power of their surroundings, they easily avoid pits and floors with damaging effects.”
Cursed Earth
heavy and rhythmic
anosou
Ninja
“Stealthy fighters who excel at surprising enemies and can wield two weapons at once.”
Intention of the Earth
fast and mysterious
OA
Bard
“Musicians whose dulcet tones soothe savage beasts…or kill them.”
melodic and lyrical
RiverSound
Ranger
“Nature-loving archers who can call on local wildlife for aid.”
adventurous
open
The Prelude
The classic prelude theme from all Final Fantasy games.
The Prelude
relaxing
DarkeSword
Signups are open. The Fabled Warriors runs on an audition-enrollment system. To sign up for a track, please provide a sample of your work that illustrates you’re able to compose and produce in the style required.
If you have a Final Fantasy V remix you’re already working on and want me to put on the project, chances are I won’t take it. The Fabled Warriors has a very specific concept, and I’m not looking for music that wasn’t written without the concept in mind. That said, I still encourage you to submit your remix to OCR, because there is always room for more FF5 remixes, whether they are on the project or not.
Feel free to ask any questions you have about the project.
This is something I really wished for several years ago, I'm glad to see it's finally happening! One thing though: why call it 'Terms' on the remix pages instead of 'Tags'? The first time I saw it I thought of Terms of Use ("I thought OCR used creative commons?").
It's 2017, MAGFest is over, and it's (past) time we got things back on track!
I'll be chatting with @JJT & @zircon - we may need some changes w/ our management approach, but we HAVE reviewed the initial round of WIPs, we'll be contacting artists where feedback is appropriate, and we'll be establishing a new timeline, soon.
If anyone has an overabundance of free time AND experience running an album, let me know on Discord if you'd be interested in helping to manage this project with us and we can talk a bit!
I never played Super Mario RPG (ooh, I can hear the replies being typed right now). I never had a SNES as a kid, and the few people that I knew that owned one didn't have this game. I only know a little of the music from OCR and a few videos on YouTube, videos titled "Top Ten Best SNES Music!" or "Top Ten Mario Game Soundtracks!"... that sort of thing.
So I don't have any emotional attachment to the game. It's just another game I never had the opportunity to play, like any of the thousands of other ones I've never touched.
But that cover art. That wonderful, beautiful cover art.
If there was ever an image to represent all those fond memories of playing a favorite game after dark, at night, in front of the television or underneath the blankets in bed, this would be it.
There is a glowing window, a portal to a tiny world. There is no living room floor, no bedroom, no house. Just you, and that little universe. All else fades into the background.
Your artists picked one hell of an image to convey the mystery and magic of a video game. I haven't even listened to the music yet, but I already like this album.
What a beautiful melody this song is. its a very heartwarming piano playing and just makes me wanna curl up with my gf on the fire listening to it. you guys have NAILED THIS ONE. i was expecting it to be abit more trancy but this is perfect too!
All remixers should be listed in MusicBrainz. Most remixers will have at least 2 pages, one for their real name and 1 for each stage name actually used.