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    • @Dextastic It doesn't sound all that bad. In fact I rather like the transients on the drums quite a bit. Though if I may make a couple of suggestions. First, while the transient is important on drums in order to prevent the cymbals and the like from being "too" powerful in the mix you may consider actually toning down the sustain portion. You can achieve this in a few ways. Transient Controller can work well in certain situations. Another way is to use a compressor and just crack down on that transient quite a bit and not really use much makeup gain, then apply some EQ (typically 4-8KHz) to bring the transient back. There is also the gate that opens up on the transient but closes on the sustain. You can also play a bit with multi-band compression or even dynamic EQ. Just depends on your desired end result. Second, with the drums you did a solid job of imprinting their space in the mix along with the guitars. However, when things get "fuller" you basically completely run out sonic space in those sections and don't really have separation nor clarity between the various elements. No real tricks here other than good ol' listening and trying to figure out what needs focus and possibly rebalancing the mix on the fly with automation. Bonus bit, the guitars could do with a bit more weight and get on those guitars with some characterful compression. Otherwise pretty darn solid. 
    • Is this even still alive.....? Waiting on that review, Nika.  
    • I have a WIP that I can try to finish up by tomorrow, if the deadline is extended.
    • Thank you! Yeah, I agree it could be longer. I make 1 video a week at the moment, so I kinda have to churn this out. For that reason, some of them end up being a little on the shorter side. One day I'll have to extend them.
    • Last month I put together a band for a single weekend. These are personal friends, fellow VGM musicians I've met over the years (online and in person), and my best friends: Strader and Juja. My career doesn't allow me to be social (so my friends are internet folks) or to go on an actual tour with a 'band', so I came up with the idea of taking my fictional 'band' on a fictional 'tour'. We all met up for the first time in a recording studio the day before our only show and hit 'record' on our practice session. The intent was to release a fake live 'world tour' album, complete with fake cheering (recorded ahead of time by some of my friends/fans), banter, etc, and mixed like a live album. We spent 5 hours recording 55 minutes of music, and the next 17 hours editing, mixing, mastering, and burning copies of the album so it could be released the night of our big show. We had a lot of fun and this is the product of that weekend. I hope you guys enjoy the fake live album, of the fake tour that never happened, by the fake band that doesn't really exist. I proudly present - The Careless Juja World Tour Live Album! DIGITAL DOWNLOAD: https://carelessjuja.bandcamp.com/album/careless-juja-world-tour-live-album (proceeds go toward recouping recording costs) For more info about how the album is made, sometime that weekend we also recorded an interview with NerdyShow. It's humorous and also provides a bit more insight: https://nerdyshow.com/2017/10/interview-careless-juja/
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