Jump to content

djpretzel

Administrators
  • Posts

    7,062
  • Joined

  • Last visited

  • Days Won

    98

Everything posted by djpretzel

  1. Yeah, it's a hard one. I don't think CSS alone will do it, unless inline styles could be consistently overridden using !important or something like that. jQuery is an option, and possibly the best option; here's a lead that might help: https://dev.to/gamesover/using-jquery-to-fix-background-foreground-color-contrast-automatically-538i
  2. @Ramaniscence Nice! Just FYI, there should (finally) be some changes coming in a couple weeks to the navigation header, and eventually the forums. Overall theme will be darker, but regions with a lot of text will remain white-on-black, perhaps making a dark theme a bit easier since it will just be toggling those specific sections. With post content itself, one of the challenges is that Invision allows copying & pasting that includes background & font colors, so while the thread you screencapped looks fine, some posts will look quite wrong (white regions, potentially with light gray text, depending on what's being formatted within the post) - I imagine even this could be fixed with some fancy jQuery, and if that's something you're up for, that same logic could eventually be incorporated into the actual site.
  3. Would always be interesting to have more PC98 representation! Catchy source. I get that you're keeping the vibe, but have you perhaps sped it up a bit? I'd consider dropping 2-3 BPM down, I feel like it's running a bit fast. I've got individual observations & you can pick/choose which if any you agree with Drums end up having almost a hybrid EDM vibe because the dynamics are static across large patterns - I like that there are fills/breaks, I could even stand for some more of them - but I'm talking mainly about the melodic parts where you've got the downbeat going; because they're sampled & not explicitly electronic drums, and because the fills/breaks are more humanized, these stand out due to the velocity of the kick/snare hits being maxed out, basically all the time. I think humanizing these would give a bit more organic vibe & more contrast... either the chorus or the verse could be significantly quieter, for example.... hopefully the drum samples you are working with are multi-sampled and respond differently at lower velocities - if not, I think there are some free options out there that do, but I'd have to check. In short: humanize the drum line a bit to prevent listening fatigue. RE: listening fatigue in general, I think a breakdown might help... something to reduce overall intensity, noticeably. Not that waveform is everything, but right now you can tell just by looking at the Soundcloud visualization that it's basically a non-stop proposition... something to cut that up a bit would help. Drum dropout, then fill to back-in, etc. I like the organ solo, but I do like it better for a dirty B3 than the churchier option employed here... if you can get something with more grit, maybe Leslie... You're asking a lot of the sampled guitar, on lead, and I'm wondering if a straight up synth lead might work better.... perhaps for just one of the variations? Right now it's being a bit overused, as a lead, with nothing sonically to distinguish it from section to section. One way of addressing this would be via creative FX application, where it's widened/delayed/modulated in some manner in one section, but not the next. Another is to simply swap the lead out to a different sound, and I think synth could work. If you wanted to get a little cheekier, instead of just making the third variation more elaborate on a single lead (whether you keep the guitar or roll with something else), you could do a call-and-answer style duet between the previously-introduced organ and the main lead, introducing some harmonic combinations, having a couple notes in unison, that sorta thing. Just a notion; could be fun. In terms of is-it-ready-to-submit, I don't speak for the judges panel, but I imagine they'd pick up on some of the same things, all of which I think would improve the track. Hope that helps!
  4. You can do that for yourself, for your personal collection - absolutely, no one's stopping you, and why would they... The key word here is "redistributed" - if you're hosting/mirroring portions of the collection for *others*, yeah, we want the files to be official & unmodified. If you're remixing them, that's no longer redistribution of the original audio, it's a different ballgame entirely. Conversion to OGG wouldn't make much sense (lossy to lossy?) - @Liontamerhas done work on silence trimming so if you find mixes w/ 10+ seconds of true silence (no signal), let us know here. The bigger no-no that we're especially concerned with would be modifying tagging/attribution, FYI.
  5. Yep, agreed. Will add it to the list, might make this change sooner rather than later.
  6. I think FF3 is actually further along, because @Rexy has been a bit more available - @Gario was supposed to be coordinating Lufia 2 but I haven't seen him around much. We'll def. regroup in the new year & figure something out.
  7. @theconsoloist Should be fixed now, sorry for the trouble & thanks for reporting!
  8. @chanq This is superlative work; I'm not only impressed with the organization & presentation of data, but the design (and reasoning behind it) make a ton of sense to me. This work will absolutely inform future enhancements to the site, and is deeply appreciated.
  9. @BONKERS Funky! I will say, I felt like the low end didn't kick in until like 2'10" - bassline before that is active & funky but not filling out the bottom much, so when 2'10" hits it almost feels like bass is appearing for the first time. Something like bx_subsynth, or adding a sub layer, or just EQ on the bass could help give it more low end.
  10. @JohnStacyMan that sucks; regarding radio silence, I've been seeing/hearing a lot of that, directly & secondhand. I think it's mostly people being at their limits - emotionally, physically, spiritually, politically, you name it. Probably guilty of it myself, gonna try to do better. I wish I had some ideas/suggestions; sounds like even institutions are eroding, based on lack of response...
  11. I would always recommend Komplete first, above all other mega do-it-all libraries/collections - Reason Rack *is* great, Arturia V-Collection *is* great, but Komplete feels the most essential and capable of handling pretty much anything.
  12. I would relish the chance to discuss Super 3D Noah's Ark in a writeup. Don't let this bias your decisions, though
  13. I dig the lead sound here; it's unusual, and it makes the whole mix more interesting. I think my biggest issue is the timing - an intentional swing/unquantized thing going on, which can work really well w/ slower beats & downtempo/lo-fi stuff, but at faster tempos - for me at least - it starts sounding like unintentional lag/slowdown - 0'43 with the kicks, for example. I'd be most curious to hear this with different % swing, something more subtle. Could also dial it in more selectively, for breakdowns or verse vs. chorus.
  14. In the interest of moving forward, and also because this album is kinda coming back from the dead (or at least purgatory/uncertainty), I'm suggesting the following title: Final Fantasy III: Resurrection ...to kinda gel with with the FF1 & FF2 albums, so it's "Random Encounter, Rebellion, Resurrection" - a trio of R's. If anyone feels strongly that this title is poo and/or has a better idea, please chime in! Also, the album has been added to the project consent form - please sign ASAP!
  15. Just chiming in - no matter what Soule did, this game's soundtrack is a part of many folks' childhoods, and nothing changes that. However, deciding to participate in this project is one of those topics where, personally, I don't think there's a right or wrong answer. I've explained my personal reasoning, and how I conceive of art in the abstract, but I'm not offended if anyone finds it unpersuasive/disagrees. Key thing is that no one gets judged, either way, for their decision on this, or attempts to equate others' decisions to participate with a tacit endorsement of the behavior in question.
  16. With Golden Sun out of the way, it's Badass 4, Lufia 2, & FF3.... hoping we can get the last mile on this one, will be talking w/ @Gario
  17. @Meteo Xavier I think that's the right call, and thank you for making it and letting us know as opposed to letting things drag on. This is a stressful/disorienting period of time for everyone, and having extra challenges on top of that to work through just doesn't leave a ton of time for much else. Hope things take a turn for the better for you
  18. @Meteo Xavier & @Rexy are in charge of: Rounding up all tracks/wavs to date (I think this is basically complete) Identifying holes in arrangement coverage that should be filled Finding a way to fill them Coordinating art & final package prep We've got Golden Sun and Lufia 2 & Badass Paragons on the horizons, but I'd really like to wrap this up in Q3...
  19. Thankfully we got a fix on some of the dissonance, making this mix even better.
  20. I've *basically* switched to Live as my main DAW, and one of the selling points is the flexibility & power of M4L, though that's coming from a consumer perspective and (not yet at least) as a developer. I do believe it's possible in M4L - this might be a useful starting place: https://github.com/HerrmuttLobby/chord-splitter This one does round-robin but could also be a useful jumping off point: https://www.beedocs.com/abehr/2018/07/14/max-for-live-midi-note-splitter/ As an expensive-but-nifty non-M4L, DAW-agnostic alternative, I imagine that https://www.bluecataudio.com/Products/Product_PlugNScript/ would be capable of doing this. I also wonder if this capability could be baked into the Kontakt library itself, somehow, but that'd be a question for @zircon or @Nabeel Ansari
  21. Still love that film but damn if Clint Eastwood didn't get all old, weird, and political, and start talking to chairs...
  22. @Meteo Xavier Does @Rexy have everything you had? I think we need to look at the tracks we know we're not getting and see about putting together a SHORT list of sources we feel should absolutely be covered for this album to be called, in good faith, an FF3 album. Is that something you can do, and if so, how quickly?
  23. @Chernabogue This one won't be revived, so absolutely, we can proceed with posting the approved mixes. It seems like there are three, total, and we might go for a mini-flood. Thanks for bringing it to my attention. Feel free to tag me directly if you feel like things aren't being dealt with. We will prioritize this, based on how long it's gone unattended. I'll be closing the thread; we're working on reviving some other projects, but can't do that for all of them. Thanks to @Chimpazilla & @timaeus222 on the time/effort involved in this - COULD have been awesome, but the disruption w/ Brandon and subsequent loss of momentum mean it petered out.
×
×
  • Create New...