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I'm in this year. I now have an office job that gives me a buttload of free time to work on projects. BTW finally got a ReMix accepted

Yeah, definitely. )) And I found another really interesting Lufia 2 remix by Mystwalker, which I also added to the remix list in my main post (right after the three battle theme remixes). Check out the Triumph remix: Really impressive what a driving and energetic remix he has composed out of the little fanfare theme from Lufia 2. Kinda love the electric guitar passages after minute 1:33. ... There are also two more modern Lufia 2 remixes by him, but the themes don't really appeal to me that much – just in case you still want to hear them: - Lufia 2 - Cave Remix >>> https://www.youtube.com/watch?v=yCfsnPX6YQ8 - Lufia 2 - Labyrinth Remix >>> https://www.youtube.com/watch?v=lfU99NdOD2o

HAPPY SILKSONG DAY! OC ReMix and DaMonz present A Knight (for a Knight)! September 4, 2025 Contact: press@ocremix.org ATLANTA, GA... OC ReMix is proud to present DaMonz's A Knight (for a Knight), Canadian game developer & composer Emery Monzerol's earnest tribute to the celebrated indie platformer Hollow Knight, released in celebration of today's launch of long-awaited sequel game Hollow Knight: Silksong, scored by Australian composer Christopher Larkin. A Knight (for a Knight) features four mellow, lo-fi-inspired arrangements of music from the original Hollow Knight. The EP also features cello performances by Monzerol's mother Christine Giguère, making the EP a family collaboration. The visual artwork was created by Annie Doyon, creator of the album art for 2017's Mirror Image: A Link to the Past Remixed. A Knight (for a Knight) is available for free download at https://knight.ocremix.org. "Hollow Knight holds a very special place in my heart, because playing that game was a very crucial moment in my recovery from pretty severe depression," shared album director DaMonz. "Working in a big game company had been siphoning out my passion for a while, and Hollow Knight was the game that reminded me why I was doing what I was doing. I will forever be grateful to Team Cherry for essentially saving my life! A Knight (for a Knight) was produced to help promote video game music, was made by fans, for fans, and is not affiliated with or endorsed by Team Cherry; all images, characters, and original compositions are copyright their respective owners. "This whole project initially started as just a single short lo-fi-ish remix just to mess around a few years ago," Monzerol noted. "Just as it so often does, it spiraled almost out of control in the classic loop of "just a little more", until it became the 4-track EP that it is now! A Knight (for a Knight) is DaMonz' sixth OC ReMix album in a director role. The EP's tribute to Hollow Knight, now makes the hit indie game the most recently released game represented by an OCR arrangement album. Also released under DaMonz' leadership were OC ReMix community albums Songs of the Sirens: Link's Awakening Remixed, Hometown Heroes: Town Themes Arranged, Mirror Image: A Link to the Past Remixed, Super Mario RPG: Window to the Stars, and an arrangement album for his Shuttle Rush indie game soundtrack entitled Shuttle Remix. About OverClocked ReMix Founded in 1999, OverClocked ReMix is an organization dedicated to the appreciation and promotion of video game music as an art form. Its primary focus is ocremix.org, a website featuring thousands of free fan arrangements, information on game music and composers, resources for aspiring artists, and a thriving community of video game music fans. OC ReMix operates under the umbrella and sponsorship of Game Music Initiative, Inc, a 501c3 non-profit charitable organization (EIN: 81-4140676). ### Download it: https://knight.ocremix.org Torrent: https://bt.ocremix.org/downloads/A_Knight_(for_a_Knight).torrent Comments/Reviews: https://ocremix.org/community/topic/61206/

Pretty passionate and energetic stuff. Have a listen and enjoy the little gems, guys: Lufia 2 - Battle #1 (Standard Battle Theme) Remix -------------------------------------------------------------------------------------- Lufia 2 - Battle #2 (Boss Battle Theme) Remix ------------------------------------------------------------------------------ Lufia 2 - Battle #3 (Sinistral Battle Theme) Remix ------------------------------------------------------------------------------------ Lufia 2 - Triumph Remix ----------------------------------------- Lufia 2 - The Earth Remix ------------------------------------------- Lufia 2 - The Prophet Remix ----------------------------------------------- Lufia 2 - Peace Of Mind (Song Of Love) Remix -------------------------------------------------------------------------------- ... The remixer's name is Mystwalker. Maybe I'll ask him later if he wants to take part in OCR. ))

This is hilarious and super fun. I could imagine Diddy and Dixie sneaking onto this ride while trying to get to the other side of Kremland only to be equally amused and horrified by a kremling rendition of small world. Very well done with all the singers together and the performances with the pre and post ride announcers. Great idea, great execution, fantastic ReMix.

Download A Knight (for a Knight): https://knight.ocremix.org Full album on YouTube: https://youtube.com/watch?v=Hzwog2S6PVA&list=PLWk40K1PeZwEWrulLOA2Ms4wbX099KeCx&index=1 Torrent: https://knight.ocremix.org/downloads/A_Knight_(for_a_Knight).torrent This whole project initially started as just a single short lo-fi-ish remix just to mess around, about two years ago I think. And just as it so often does, it spiraled almost out of control in the classic loop of "just a little more", until it became the 4-track EP that it is now! Hollow Knight holds a very special place in my heart, because playing that game was a very crucial moment in my recovery from pretty severe depression. Working in a big game company had been siphoning out my passion for a while, and Hollow Knight was the game that reminded me why I was doing what I was doing. I will forever be grateful to Team Cherry for essentially saving my life! Now, enough with the heavy stuff. - DaMonz

Hey all! Someone on my YT said it would be cool to make some Shadowrun remixing. I'm working on just that and I just finished this one. I had forgotten all about this game TBH, a shame since I always loved it. Posting here before YT! Hope someone enjoys.

Snowboard Kids Redial 2025-09-06 2029.mp3 Snowboard Kids "Board Shop" harmony with Bomberman Hero's "Redial" melody, except for Redial's B section which is included. Original rhythms. They are both extremely similar harmonically, but if you listen closely, you'll see the harmony is in fact leaning heavily on the Snowboard Kids side. Arrangement is not complete but this is the general idea I'm going for with this. EDIT: Had the cool idea to do some solo trading between piano, electric piano and drums, but with drum samples of course and repitched. Pretty cool sound. Introduces some jazz tradition into this modern jungle style. EDIT AGAIN: I took the reverb out to test listening to it without reverb. I feel like this particular style may benefit from being completely clean with no reverb, so it sounds as tight as possible. Let me know what you think. I made the ending section be the same as the first part, this time up a whole step. Freshly recorded, not copy and paste. A drum fill takes us to a final weird chord. The only question I have is, should I add the Redial B section at the end? Or it's fine as is? Maybe I could add that section and then just take it back to the ending... I might do that. Also need to go through and make sure bass and chords are well humanized, though they're pretty much there right now. Sources:

Hola, name's Mystwalker. I've known OCRemix for a long time, had people tell me I should join since around 2011 maybe? But never quite joined until now (big thanks to @Master Mi for giving me the final nudge to join). Mostly due to my imposter syndrome + being a dumb kid. Here is a little bit about me I guess, I'm not great at this stuff but here it goes: I'm a self-taught composer, keyboardist and percussionist. Started my music journey in 2009. My Messy Music Journey: 2009: Uploaded my first "remix" – PSX RPG Maker's "Home 3" with... let's call it "aggressive soundfont reskinning." 🤡 The Dark Ages: Churned out many such "reskinned bangers" (heavy sarcasm intended). Hey, we all start somewhere! Evolution: Gradually leveled up to actual arrangements + originals. Kept everything public – the good, the bad, the cringe. My YouTube's basically a 218-video journal of my musical growth. 2022 Hiatus: Vanished to practice like a hermit. Did commissions, released some commercial stuff. Came back recently to revive the channel with slightly less terrible skills! Been obsessed with VGM since I was a kid – 8-bit and 16-bit soundtracks are the lifeblood of everything I create (even if it does not sound like it). I remember recording video game music from the TV speakers into cassette tapes because I loved it so much and then going out with my Walkman of shitty VGM recordings thinking I was the coolest. lol tools of the trade: Include but not limited to - FL Studio, Kontakt libraries like Shreddage (both drums and guitar), Damage 2, Orange Tree Samples' guitars, Omnisphere, Sylenth, Serum, Engine 2 libraries, KORG VSTis, Roland VSTis, Arturia synths VSTis, many others all but those are the most regular use. But yeah not sure what else to say - I'm terrible at introductions, but must say I am loving the place and it feels just like the golden years of internet forums! Something I used to indulge in a good bit! TL;DR: Long-time Self-taught composer / remixer | FL Studio addict | Terrible at intros. Cheers everyone. 🍻

it's been a while yeah? Hope y'like.

Thanks so much for the shares and inviting me to join!

I may or may not have unfinished horror music projects to cook until at least medium well. I'm definitely interested, though!

Will try to come up with something again this year, always happy to see this thread :)

It's in a good way :-) Redg is also known as Brent Wollman on OC ReMix and he does very eclectic music.

Remembering Masashi Kageyama. 🫡

Chimpazilla said they thought it had TSO-vibes, which I totally get, but I hear a lot of late 80s/early 90s Danny Elfman on my end. Besides being a behemoth of collaboration, this is just a great remix! Love how it grows and becomes a real monster of a track. Also, starting it with Aerith's theme getting distorted into OWA is just mean : ) Off topic, I find it very interesting that this site isn't growing in OWA remixes. It took 4 years for Trenthian's strange "Sector 7 Hath Wrought the Angel" to arrive on the scene and 3 years after that for the slightly (only slightly!) more traditional "Black Wing Metamorphosis" to hit OCR, and that was with an album drop. (Side note, I also hear Elfman influences in "Black Wing Metamorphosis" so maybe there's something inherent to the original?) Not that I'm complaining about OWA representation, I just find it interesting that one of the most recognizable video game tracks ever has 5 standalone remixes, 7 if you include the the ones with other sources in them. I'm not the most musically-technical person around, so I assume that the original is a lot more intimidating to tackle than something like Terra or Aquatic Ambience? Considering how many contributors are on this one remix and "Black Wing Metamorphosis", I'm not really surprised that it only gets remixed every 3 years or so. What a beast!

Thank you! ♡ :D Yeah, it's a bit nutty and chaotic, (as the Judge eval hinted at,) but I did my best to put a unique spin on such an iconic track. ^_^ Hopefully, in a positive way! Very much was a learning experience, and very much could have done better mixing / curtailed some overwhelming parts of the piece, but I do hope the ride was enjoyable and thought-provoking. Also, curious as to who or what 'Redg' is. x'D

Quirky for sure, never thought I'd hear Dragon Roost Island this way. Reminds me of Redg.

I love the sound and structure of this!

Ya got a very interesting style as a composer. I really dig the immersive soundscape. )) Great stuff! Is this your latest remix you were working on? ... The only thing I would keep in mind in the future is that the first sound signal in the music project probably should not start right on the first bar, but rather you should leave a full bar or so empty before the first note starts with the second bar, so to speak. This can also help to avoid processing errors in the DAW or even the swallowing of the first transients and sound impressions. I think there was a discussion about this in a thread of the forum many years ago, explaining why this is done - maybe someone still has a link to it. I can also hear a slight crackling noise at the end of the song in the last moments of the fade-out around minute 4:25 - maybe check this again.

Lol, Mario Kart 64....very popular amongst my military unit....many moons ago...and more than one brewing fistfight had to be calmed down;) Later, I should have time to comment on the Koopa remix that I listened to.

Hell, yeah. 🤘 I know. Got a really good taste when it comes to radically awesome, rare and hard-to-find video game music remixes. *heroic victory fanfare playin'* But I'm just the joyful messenger here - a messenger with the happy-go-lucky golden retriever vibes full of serious excitement, eagerly looking forward to upgrading my large MP3 player and soundtrack collection with a few more killer tracks. The legendary genius and composer behind this Lufia 2 remix masterpieces ist just one comment above yours - yep, the dude with the kinda naughty-looking hentai girl profile picture. ... I will also write back to you in a few days, Mystwalker. Just have to beat a few more rounds against Chaos in my own world like a Warrior of Light (or rather like some sort of a forced hobby paperboy in the secretary office edition). ))

As much as I'd like to see the human involvement in this piece or the other submissions by Craig, it is overshadowed by the audacity of submitting an entire album's worth of generative AI slop and lying about how large a role generative AI played in it. I have no pithy comments to make - my fellow judges summed up my feelings pretty well, and there's no need to belabor the point. NO. DO NOT resubmit anything using Suno or other such tools again and lie about it.

I meant to listen to these since you've posted about them Mi, but these are, indeed, absolutely fuckin' 🔥❤️‍🔥 Damn. . . :D

How has that been coming along!? :D ♥ I'll add you and Seth to the list! Thanks for participating and I saw you got into the Discord server alright! I'll add a new link to this in a post, so people can grab it and it'll be working rather than expired. x'D @Seth Skoda Just let me know if it's an original track, or the name of the song / game or media it's being remixed from, and I'll add it to the list! :) . . .I think that's me caught up with everyone, or catching up via PM. I've got a watchful eye out here in the forums and on the Discord server, so keep be up-to-date everyone! The project's still on-going and I'll be looking into the website for it over this week! Also, we've got the cover artwork done! :3 ♥

Hope y'like!

Drum samples are primarily from Erik Jackson's Soul Pads: https://hiphopdrumsamples.com/products/erik-jackson-soul-pads-sample-pack?srsltid=AfmBOoolhrNz85woah9B0epYhyp3wUvrJ1Ju8qaRr3qkuNdld3JSwmVT Also from MusicRadar Drum Fills: And Basement Drums Vol. 2: And some drum fills that are included with Bitwig Studio. All instrument sounds are just stock from Bitwig Studio.

Nice, love the contrary motion in the bass and melody... what orchestral library(ies) is this?

Red Pearl was a heads-up pick! You'd have to know it rather than search for it, methinks.

Thanks so much! Yeah to be honest I'm actually already planning to do a Xeno Cross follow up, but first, Mana! XD

I'll use my words, since no one else will! BACKED, Sam! I have pretty much all your stuff. Metroid Cinematica & Recharged, Chrono Cinematica, actually listened to Xeno Cross this week (I would also back a WHOLE-ASS 10 disc album of that idea BTW). But I've always adored the Mana soundtracks, especially Kikuta's SD2 and 3. I hope you get this off the ground, and I'm so looking forward to it!

Impeccable stuff. I got literal chills on my arms during the final seconds. Top-tier goodness from Lucas, Zack, and the twins, unreal! :-) Y8S!

i'll let you know when i get around to finishing it!

I'll endeavour to throw my hat into the ring this year. :)

I just made a Christmas tune, a version of Gloria. I'll send it your way when I get a moment:)

(hacker voice) i'm in see you in the update PMs!

Hallo hallo, another "long time listener, first time caller" for the list A long time fan of VGM; Vinyl & CD collector, obsessive fan-music listener, occasional VGM remixer with my partner. I was finally able to make it to MAGfest this year (I come from far off Europe, and it only cost.... Ye gods, over a thousand buckaroos!) where I met so many amazing friends, and even more amazing strangers, and had so many amazing conversations with 'my people', where I had a sort of, 'wait, I'm not alone, thousands of people are just like me!' moment. Especially it was great to hang out with the ever wonderful KyleJCrb, who I went to the con with, and spent a lot of the weekend with (and crashed the room of many times) - I was planning to check out the OCR panel regardless, but as he was one of the speakers, I made extra sure to clear my con schedule - and as I sat there at the panel, I wondered suddenly why I was lurking, because I felt like I would very much like to be a present part of all of this. I spent a while after I arrived home observing the site much more closely, asking around interestedly to my friends of their own VGM projects, then I decided to poke my head in for real. So... Er... Hello!

opens with a significant unpitched swoop that builds to an initial wash of colors and theme. the melodic material that comes in after 0:30 is nicely patient and doesn't rely on percussive elements to move forward, which is a nice change. the beat hits at 0:59 and is a nice vibe. the 808 conga sound that repeats at the end of every bar sticks out a bit to me, but i really like some of the other elements, like the wobbly vibes used for the melodic material here. there's a fun choppy transition at 1:57, and the following section is pretty obfuscated. there's some melody in there but it's really hard to hear, might be actually too quiet. the transition at 2:26 is unexpected, but the feel after is really fun - the glidey trumpet lead here with the heavy kick is a really interesting combination. 2:57 is a significant drop - there's like 30s of noodles here before it gets back to more than one thing in the texture. i'm surprised how much i didn't mind the dropoff, actually - i really expected to find it to be too long of nothing going on, but the patience again won me over. i would have minded if it was louder though, as the dynamic contrast is pretty huge. harmonizing the glider synth is a really clever idea to ramp it up a touch. big build into 4:03, and we get another low-key driving beat here (now with chippy arps). the toms that come in around 4:32 were a little forward and out of the texture for me (and the hats that came after felt really loud). once everything came together and we had the actual full beat together at 5:02, it felt better, but i still felt the hats were a touch loud. there's some building elements through this until we get another shift that winds up being the last. i felt that the more unpitched ending - basically everything after 6:00 - to be a bit of a let-down after you'd successfully built so many other clever textures throughout that tied so well to the original. it didn't feel as connected to the rest of the piece as most of the other things you'd done throughout. overall this is a really interesting ride. there's a ton of maturity in the textures you're building here, as expected, and the mix is super tight to help make it all pop. there's a few things i wish had gone differently, but as a whole i think this is superb. YES

Hi, I've been listening since 2003-ish, lurking since 2006-ish, and am re-vitalized to start getting involved by my most recent Magfest trip. Hope to do some things, make some happies.

track 2 of my album "the microphone is 3 electric guitars". In this album, I record a piano using 3 electric guitars as a microphone. It's called "the microphone is 3 electric guitars" because the microphone is 3 electric guitars.

Just coming back some years later to say that this is still my favorite OCRemix album. still in regular play. I wish I could get this on vinyl lmao

Hi, I'm new to the forums. Funny thing, I've been making music for the last like 30 years, but I just learned now that this forum existed. So I guess I'll be slowly posting some of the back stuff I've done since this is probably a better suited place than other, less dedicated forums I dwelled. I started out with "classical" music training but my main goal was (back in the 90s) movie scores. Anyway, around 2008 I started working in the videogame industry (as a developer actually), and had the opportunity to make some game tracks / remixes / contest submissions. I'm much more a composer than an audio producing guy, be that bad or good.

Hi, I'm Accelerate13/HaxTheCharizard! I'm technically "new" in the sense that I haven't had much online presence apart from mods I have created for a handful of games, but I stumbled across the only comment I ever made on this site while talking with friends yesterday and managed to figure out my login... so you may be seeing me around quite a bit in the near future! I first tried my hand at making remixes around eight years ago at this point, but it initially fell through due to a lack of resources and experience. Since then, I got into modding Minecraft and Enter the Gungeon, in which I have been quite successful. My main Gungeon mod is in the top five most popular custom characters, and I've gotten to work with the very modders which inspired me to get into modding Minecraft as well. My original username was just a combo of my favorite/lucky number and the fact that I had a tendency to rapidly learn and improve at anything I tried, with my new username being in reference to the name I would give any rom hack saves I played (HAX was very fast to type in for many classic GBA/SNES/N64/etc games) as well as Charizard just being one of my favorite 'mons. I look forward to becoming a part of this community!

Kweh! I didn't logged in here since the day I joined, so it's probably worth to finally say hello instead of leaving the profile in ghost mode. I'm Unknown Pseudoartist but many people calls me just "UPA" as abbreviation. Most likely no one ever heard of me here but I'm infamously known in Dwelling of Duels, a monthly videogame music contest, for invading that place with weird shitposts using a silly vocal style to replace the main melody/leads (a vocal style that eventually was called as "chocobo vocals" or "birb noises"). It wasn't my intention to actually get into music making in a serious way, but just ruining other people's works to make people laught and help making this world a funnier place for everyone. However, my pseudomusic was unexpectedly warmly welcome to that place and eventually, as I got the support of so many kind and talented artists, I discovered that I can also make my own arrangements and cool stuff with it, and so I started trying serious stuff too that goes far awary from that silly shitpost thing I started doing 3 years ago. So, among my many archievements in the VGM scene there's the invasion of DoD by a bunch of chocobos over arguably decent music and crawling a lot of people to do more of that same thing along with me, the release of a 3-part album with 30 tracks each that was released 3/3/23 featuring over 33 musicians after 3 years of experience on this thing, and now also getting my best serious/non-bird track rejected (in my honest opinion unfairly) in OCR including accusations of "anonymous troll". Anyways, I just though that maybe it's a good time to extend the birds invasion to OCR territory, and maybe people here will eventually have their brains and ears hurt enough to actually like that stuff, just like I succeded doing in DoD. If anyone is curious enough after reading that message, you can find most of my music stuff here: https://unknownpseudoartist.bandcamp.com/ For examples of both sides (shitpost and serious), here's the first/main part of that 3-discs album, including mostly VGM covers with that "chocobo vocal style" and a few serious/instrumental tracks in between: https://unknownpseudoartist.bandcamp.com/album/unknown-pseudoalbum And here's a mostly serious album that is basically a collection of VGM covers from old DBZ fighting games (all from the Butouden saga except the first one, from Ultimate Battle 22). All here is instrumental and serious except the latest 2 tracks and bonus tracks, so no need to be afraid of the birds . https://unknownpseudoartist.bandcamp.com/album/metal-dragons-a-tribute-to-dragon-ball-z-games Thanks in advance to anyone who dares to listen

Hey, my name's Daniel! I've been making remixes for a couple years now as a hobby and am looking to expand my horizons to other personal projects, collaborations and anything along those lines. I've played video games since my first Game Boy in the early 2000's with Tetris and Pokémon Yellow and absolutely adore video game OSTs. Hoping to find some great new people and some more awesome remixes!

Hiya! I'm Nikki. I've entered on and off at Dwelling of Duels for years now under a couple of older names along with this one, but I've only lurked this place minimally, and I felt like trying to do something or other on here too, so here we are. I mostly just compose, arrange, and play guitar on my own time. You can find my long, extremely mixed-bag of a history of vgm arrange stuff and original works on my Youtube. That is a thing. So yeah, hi!