Dj Mokram

Why they had to raep rockman with the music of Transformers? That's just mean. The post-production shows potential, but I'm not getting fooled by a trailer either. Looks like somebody is about to take a leak on everybody's childhood in just a few days...

Actually, even better than that: last year's thread was posted in Announcements, effectively ensuring appearance on front page. This helped bring attention to the matter, and I'm surprised this course of action hasn't been taken in 2010 as well. ^ This. Whether you're lurkers, newcomers, or ol' timers. If you're part of this community, come out of the shadows. Spare a coin for the brave men and women who provided you with quality music, entertainment and content over the years, for the low price of FREE!

Bump from the graveyard! Finally got around to making my donation today. That's $30 going into OCR's vault. Hope the fundraising is going well for you guys.

I believe ThaSauce is hosting a remix from that source, let me check... EDIT: yep, great metal arrangement from Nintenjoe64. Check it here: Smithy is Going Down.

(from MGS Peace Walker original soundtrack)

Here's to an artist who created many timeless remix gems over the years. Hoping to hear some more in the years to come. Great birthday to you.

It so happens that ThaSauce is hosting one remix for that particular game.

Allright update, let's see: I think you cut the strings at 0:23 even earlier than before instead of making them suspend. The sensation of something missing is now amplified. Dragn Breth is on the money: that rythm guitar pattern from 0:45 gets old very fast and last longer than it should. Drums need a little rework, but you already know all about that (if not check the comments from Snappleman on the Total Disaster thread). The choirs add a nice high presence and light atmospheric touch that counterbalance the dark low guitars riffs. The song gets better later on, when the musical madness return, and you deviate from the source in a very unpredictable and personal way. I like the swift break at 2:55 that transition back toward the source material. But imo the ending would benefit from not repeating the very first pattern so obviously. By adding a solo over it and keeping the energy going, you could close the song on a strong note instead of a fade. That's generally an good incentive to get people to listen again right away. Some more effort should pay off on this one. Keep up the good work here!

This Prophet still has a bunch of musical miracles up his sleeve, and doesn't afraid of anything. Have a good one Brad!

Being able to benefit from a semi-official validation in terms of direction and production for the arrangement will help prevent a lot of trial and error. A neat idea that will most certainly save a lot of time and frustration for every aspiring remixer on the road to the judges panel.

You guys leave me no choice... I had to summon the mighty Stevo line, in order to put an end to this.

In the meantime, the following tracks are still open: .Contact me via PM if you want to claim a track.

We take the same source and we start over! You've taken an important turn in your composition at this point, with a huge improvement in production. This version is much more aggressive and sinister than the previous iteration. The song starts up slowly, establishing an atmosphere filled with adventure and mystery. The transition to the main part at 0:24 is coming in too abruptly imo. It isn't introduced by anything, yet didn't felt as surprising as it should have. May I suggest either letting the strings in suspension for one second, or fake fade them before transitioning to the main part. Really dug the part from 0:41. Sounds fierce and dynamic, and while drums created a bit of a repetition, has an epic battle feel to it. After this second part fading, you could eventually go a more intimist road. Starting with minimal soundscape, and building the song back up, adding melodic material progressively to end up on a climatic finale. I feel that's what this arrangement is calling for right now. Finally, I'll make the same comment on your drums that I made on Total Disaster: a bit dry and prominent. But that's my personal bias. The potential is here. Keep it up!

You've really reached new highs with this song. I can tell you had a lot of fun with the new samples and let your creativity speak out loud. I dig the very dark tone of this piece, leading to a peculiar auditive experience. The lead seems to be less prominent in some parts, blending with the rythm guitars like a mass of sound depicting pain and destruction, thus totally fitting the title. The break at 2:41 is very appropriate, for it brings a touch of simplicity and emotion that counterbalance the rage of the track. It's like an isle of peace lost in the eye of a cyclone. The drums however, while sounding substancially better than usual and imo nicely sequenced, are attracting much attention on them, by sounding dry at times. I assume they are supposed to be the star of the show somehow, so they'll need a little more work on the sound and maybe some minor variations too. Nothing else to report from my point of view. You clearly know what you're doing with the mixing. You're on the road to Awesome!

Hey BGC, what this event needs to really kick off, is more of the legendary Another Salmon joke! ;D I'll go around to contribute a donation in a few days. In the meantime, support banner is in my sig, as per usual sir.

Looks like I had missed this last update... Well, sounds like you fixed pretty much everything that needed fixing. Though for the intro solo, I think matching the later one maybe wasn't the best thing to do. The previous solo was fitting the piece just fine really. It simply had some minor dissonance issues on some notes. But you can indeed consider this piece finished, as I totally understand your will to move toward something else now. I had this song in my head for a few days, and I guess it'll stay stuck here for a few more.

Two interviews of my favorite composer, Hitoshi Sakimoto, and his work on FFXII. First from 1up: Notice his minions working diligently in the background... and of course the hardware. Second is from the bonus dvd contained in the collector edition of the game: Very interesting and detailed info on his workflow, and the differences between composing for movies and composing for video game. Enjoy.

And more importantly, when are the Grand Maverick and GrandNavi Battles gonna begin?

Support is a crucial part of the process: if no one was interested, there would be no point making this in the first place. So, glad you're still following this. We'll make sure to be at least as cool as Headdy himself... well, we'll try!

Hate to be the downer, but it would take a magic act to have 6 elaborated songs from any of these genres fit on 6mb and still sound half decent. Maybe people aren't sending you what they think is video game music, but what they think can fit on less than 1mb limit. i.e. MIDI files. You'll be better off with one excellent 6mb song that loops forever, like in Canabalt, than trying to have a diverse music catalog with such technical constraints. Good luck anyway.

Congrats on the release! Abbadon is a diverse album made of eclectic and evocatives compositions. Each song is telling its own story while still remaining part of the whole picture, like the pieces of a puzzle. Sometimes it's peaceful, sometimes it's fierce, mixing melancholy with joy, creating a peculiar experience. I wholeheartedly encourage people to give it a listen, as there really is something unique for everyone to hear.

Thanks a lot for the support good sirs! I'm not sure how long I can keep the glory from stealing my mixers, but I'l do my best. Thanks for the kind words and the offer. I'll make sure to let you know. As long as you don't run off to Cancun, get drunk celebrating the release of EoL, devote all your time to party girls, and totally forget about this, it should be ok. Yeah, NintenJoe64 is the man! Everyone on board should follow your exemple and finish their mixes. And I sure hope we get people to start those last few tracks, at least.