Leaderboard

The Judges Panel has been talking about ways to work through the queue of submitted remixes at a faster pace, and after a lot of discussion and weighing the pros and cons, we've come to a decision that's probably one of the biggest adjustments to our process in a long time: Submissions no longer require four (4) YES votes to pass. A decision is reached as soon as the difference in votes is three (3). To clarify the key change here: when a submission receives three (3) YES votes and there are zero (0) NO votes, the submission is accepted, because the difference in votes is three (3). If a submission continues to go back and forth without reaching +3 in either direction, the panel will continue to vote until all active judges have voted and the majority will determine the decision. This update to our decision making process will immediately apply to any submissions on the panel at the time of this announcement going live, and for all decisions moving forward. We won't be going back to previous rejections to find decisions that started with three (3) uncontested YES votes but eventually got rejected; in those cases, what's done is done. We hope that artists will find this new criteria a little bit easier to understand. Overall, we've been impressed with the quality of work being sent in these past months, and this should make it easier for us to get the slam dunk tracks through the process faster. Thanks to all the artists who continue to participate in our curation process. Hope to hear your work soon. - DarkeSword

HAPPY BIRTHDAY TO US! OC ReMix = 25 YEARS OLD! 4,500 ReMixes later, video game music is STILL an art form! We've got a celebratory Zeal mix by JSABlixer from the upcoming anniversary album TimeShift, and we'll be doing lots more over the course of the next year to celebrate the creativity and impact of this powerful community! Thank you to everyone -- past, present, and future -- who have made OverClocked ReMix what it is. Please share some positive memories on how you discovered OCR, artists and tracks you love (original VGM OR ReMixes), let's go! :-D

In the shadows, we stay busy. ;-) Joining us as a Sage, we now have @Treyt, who's shown off a lot of skills, enthusiasm, and potential since his fateful forum post nearly three years ago! We're proud to announce some staff promotions with the twin magic of Sages @pixelseph & @paradiddlesjosh stepping up to become two of our newest judges! We had some fun internally joking that they were a package deal, yet I'm happy to say they both independantly have done well and proven themselves capable to help us out in this new capacity on the panel! We've also honored to have another judges panel addition in @jnWake, who cut his teeth in OCR way back and has massively grown since becoming a Dwelling of Duels regular! All three of the new judges should help us NO every VGM arrangement submitted to us with more speed, politeness, and class. ;-D Be sure to use our resources in the Workshop forums and our #workshop Discord channel and you may just get some feedback from our new staffers!

good job everyone

Eighteen of these. Eighteen years. Holy shitballs, Batman! Another album is in the books. This year we have seven songs of various moods, genres and tempos, all set for everyone to listen to and as you get deep into the holiday spirit. While we wait for Dyne to update the site, I'll be hosting the zip file. Once he's done, I'll change the link here to go there. Make sense? Good. A big thanks to the remixers who joined up, and to Dyne for hosting these albums for yet another year. And on behalf of everyone involved, Merry Christmas! https://williammichael.info/aocc/

Voting Guidelines Teams were tasked with writing three mashup arrangements of two songs each, one from a Streets of Rage game and the other from an Etrian Odyssey game. In order to make your vote, listen to the remixes and, for each pair, choose the remix that fulfills the following criteria (listed in order of importance): The remix arranges both source tunes in an interesting and identifiable way into one cohesive piece of music. The remix is well-produced within the conventions of the genre. The remix is enjoyable to listen to. Stream the remixes via Soundcloud or Download the Round 3 Remix Pack (MP3). For your reference, here are the source tunes for Round 3. Streets of Rage vs. Etrian Odyssey II The Last Soul Labyrinth IV - Petal Bridge [Dungeon: 16F-20F] Streets of Rage 2 vs. Etrian Odyssey III Go Straight Labyrinth VI - Cyclopean Haunt Streets of Rage 3 vs. Etrian Odyssey Shinobi Reverse Labyrinth V - Lost Shinjuku [Dungeon: 21F-25F]

Voting Guidelines Teams were tasked with writing three mashup arrangements of two songs each, one from a Streets of Rage game and the other from an Etrian Odyssey game. In order to make your vote, listen to the remixes and, for each pair, choose the remix that fulfills the following criteria (listed in order of importance): The remix arranges both source tunes in an interesting and identifiable way into one cohesive piece of music. The remix is well-produced within the conventions of the genre. The remix is enjoyable to listen to. Stream the remixes via Soundcloud or Download the Round 1 Remix Pack (MP3). For your reference, here are the source tunes for Round 1. Streets of Rage vs. Etrian Odyssey Fighting in the Street Labyrinth IV - Sandy Barrens [Dungeon: 16F-20F] Streets of Rage 2 vs. Etrian Odyssey II Never Return Alive Scene - Wings and Cherry Blossoms [Event: Ones with Wings] Streets of Rage 3 vs. Etrian Odyssey III The Poets II Cityscape - Between the Azure Sky and Sea You can also use this thread to leave comments about the tracks. Remember to be kind and constructive. Thanks for listening, and thanks for voting!

Voting Guidelines Teams were tasked with writing three mashup arrangements of two songs each, one from a Streets of Rage game and the other from an Etrian Odyssey game. In order to make your vote, listen to the remixes and, for each pair, choose the remix that fulfills the following criteria (listed in order of importance): The remix arranges both source tunes in an interesting and identifiable way into one cohesive piece of music. The remix is well-produced within the conventions of the genre. The remix is enjoyable to listen to. Stream the remixes via Soundcloud or Download the Round 2 Remix Pack (MP3). For your reference, here are the source tunes for Round 2. Streets of Rage vs. Etrian Odyssey III My Little Baby Cityscape - Engrave Thy Name and Go Forth Streets of Rage 2 vs. Etrian Odyssey Alien Power Strife - Rapture [Normal Battle: Final Floor] Streets of Rage 3 vs. Etrian Odyssey II Ending Return of the Heroes [Ending 1]

Don't try to throw the OCR mission statement in my face and think that that somehow proves your point. Nowhere in that mission statement does it say that we need to treat all forms of music in the world equally, regardless of whether it was written by a person or generated by a machine-learning algorithm. That's not there. We are dedicated to the appreciation of and promotion of video game music as an artform. This has, for the last 25 years, meant recognizing that the composers who wrote music for video games created art. They are artists. They are human beings who made thoughtful decisions about the music they wrote. They created with intent. Can you use machine-learning tools to create artwork with intent? Sure. I pretty clearly stated in the announcement that I don't have a problem with machine learning as a technology, but that I don't want people to post music on OCR from services that trained their models on music that was not provided with consent from the artists who created that music. The technology is not the problem; the people building these services using resources they're not supposed to are the problem. These folks have not figured out how to build these services without plundering the collective creative works on the internet. No thanks.

Fixes The MP3s for two recent remixes had some unintented skipping due to an error in the upload process. Those files have been updated and redistributed across our mirrors. Please update your local collections accordingly. Pokémon Trading Card Game Pocket "At the Drop of a Coin Flip" Silent Hill 4: The Room "Dreamy Ring Around the Forest" News Final Fantasy V: The Fabled Warriors is spinning up again with auditions open for Volume 3: Fire. Head to the audition event for details. Speaking of Projects, we've setup a new Project Comms forum that offers a direct channel to OCR's Project Staff (lead by @Kit Vivid) for all of your coordination needs. The threads you make are private, so only you and staff will see it. If you're currently running any album projects, head over there and setup a dedicated thread for each one. This will help Kit and the rest of the staff keep up with questions and communications about files, consent forms, album art, etc. Coming off rebuilding the Submissions system as a forum module and building the 8Tracks feature, I'm experimenting more with creating some tools for album project directors to play with in conjunction with the forum's Clubs feature. If you're an album project director and you're interested, head over to the OCR Discord and ask me about it. We'll see if we can get you set up. That's all for now. Stay tuned for more fun stuff on the horizon! -- DarkeSword

These are just going to be first impressions from voting, so take this all with a huge grain of salt! The City Is a Warm, Dead Waste: I love the variety here! It reminds me of Castlevania: Portrait of Ruin in some ways, it doesn't surprise me to see a few Team Whip alumni on this one! Guitars are kickass here, and there's a monster amount of synth variety too. There's a solid amount of cohesion with the sounds chosen here, though I'm somewhat less sold on the arrangement itself - lots of great ideas but I think it'll take me some time to grasp where the arrangement is actually taking me. I think there's some reverb fine-tuning to do here, a lot of the elements feel overly boomy, which takes away some of the bite from elements like the drums. Other than drums/guitar, I actually surprisingly can't pinpoint individual elements contributed by each artist - there's a lot of sounds that feel like they could have come from anyone, which is pretty neat! 🏆Duel of the Shifting Sands: Ooohhh, 8-bit plus! I'm not surprised at all by that, but I'm not used to hearing it with all the extra bits and bobs, and I gotta say... I dig it! A lot. I think there's untapped potential to process the chiptune elements a little more dynamically, but overall, the blend works pretty damn well. 3:02, hell yeah! This is a great way to drive this home. I was on the fence about which track would get my vote, but this section really clinched it for me. Overall, I saw a huge amount of potential and TONS of great ideas thrown out from both entries in this duel, but this track feels like like it has the edge in terms of focus and cohesion. 🏆Seven Fists Under the Sakura Tree: Motherfucker, you guys are not playing around. This hits IMMEDIATELY off the rip. That fill at 1:06, excuuuuse me? I think this has a bit of the same "washiness" that I noted in "Warm, Dead Waste" where there's just a little bit less clarity to the mix than I would like, but I don't think the track suffers too much as a result. Ok, and now we go into something completely different at the end that somehow also works? I was trying to write out my highlights as I went along, and I just couldn't keep up. The sound choices, writing, production... y'all are crazy for this one. This is going directly onto my Smash Bros. playlist. This is going to be hard to beat. Sakura Wa Karenai: Ok, so that's how you're gonna play this. The production on here is IMMACULATE right off the jump, I can hear some strong DJ Mokram influence on the world instruments, then some psytrance beats come in and I immediately know who's at the helm. The production on here feels a little tighter, but I'm waiting for the moments like Team Rage had in their entry that REALLY knocked me off my feet. Oh, there's 2:06 - that's more like what I'm talking about, but it still feels like you're holding back on the energy levels. We've still got time to go though, so we'll see where this goes. 2:42 really jumped out at me in a completely different way, but it was a powerful moment with the entrance of vocals and that beautiful FM piano. The sound design in this section is off the hook. OH BABY SHUFFLE RHYTHMS now we're cooking. Ahhh, this matchup is TOUGH. There's so many brilliant ideas here and there's actually quite a bit of connective tissue to bridge them all together, but will say that the energy management falls just a little short of my hopes. The mix is incredibly clean, from the instrumentation to the mixing/mastering, but it feels like there was room to push the intensity further. I still loved this a ton, and you gave the other track a serious run for their money, but Seven Fists takes the crown in this matchup for me. 🏆Only Trust Your Mix, Techniques Will Never Help You: this title sounds like something I would hear in an incomprehensible Youtube Short production tutorial, I'm curious what the title alludes to! This starts off with some pretty straightforward but catchy, bright rock that reminds me of old Sonic Adventure music, the lead performances are top-notch. I don't feel like this track was as ambitious as the other ones from Team Rage in terms of ideas, but it feels like perhaps the most cohesively-executed of the three, and just because it's more focused, doesn't mean that it's any less impactful. The seagulls are a nice touch too, reminds me even more of Sonic Adventure when we hit that part. Crazy breakdown at the end, this was really good! You Make the Sun Shine (In My Heart): Aww, so cute! This is definitely the hardest matchup so far just by virtue of the fact that each entry were clearly going for different things. The other two matchups, although executed very differently, ended up going for relatively similar energy, but this is the kind of diametrically-opposed matchup I love to see from GSM. The lead vocals are confident and fit the bill really nicely - some slightly awkward moments where the lyrics and the melodic phrasing don't perfectly sync up, but that's to be expected on a short timeline when you have to add your own lyrics to the equation. Across the board, I'm hearing brilliant synth riffs and excellent sound choices. I love the vocal harmonies that I assume colorado weeks contributed? 3:25 onward to the end of the song is when everything really clicked for me <3 The area where this struggles for me is the mixdown - it doesn't feel like it's quite baked yet, specifically in terms of relative volume levels. The lead doesn't always feel like the lead, and there's certain elements (like the synth bass at 2:40-ish, for example) that feel inexplicably louder than everything else. There's also several elements that don't quite feel glued together with appropriate level of bus compression or reverb to really give this a sense of place. When both tracks are full of great ideas but in totally different ways, I need to fall back to execution, and in this case, I have to trust the mix from Team Rage. There's no dead air this round, every team brought the heat in terms of concepts and energy! Execution was a little more of a mixed bag, ultimately I feel like any of these matchups could have been swayed with different levels of polish on the execution, which means that you all hit the mark in terms of blending the sources well. I am well familiar with the time crunch element of GSM, and it does tend to play out tougher for more ambitious, multi-genre concepts that will always take longer to polish. Even though I ended up generally voting for the tracks that felt tighter and maybe took a few less stylistic risks, it's not for lack of enjoyment of the more ambitious ones! If you didn't get my vote here, it just means that I thought the song needed a little more time in the oven - everyone did excellent work and I enjoyed it a lot!

This was a super fun showing! Just writing down stuff I've brought up in the discord and listening party: - I helmed (arranged, produced, mixed) the lion's share of Dead Waste. seph was super helpful in spicing up the guitar parts I wrote and doing some extra textures/transitions. H36T did stems for piano and female vocals, Ronald did some dark ambient synths/FX, and I consulted with josh and Moebius on drum part-writing and mastering, respectively. - both the gf and I thought the ocarina in Shifting Sands was a soprano sax, lol, but after the drop I can hear it better. - Shifting Sands is also the most VVVVVV-sounding thing JSA has done, imo. The low end profile right before the drop kicks in is great. Xaleph(?) did a great job with the mixing. - "Seven Fists" is the punchiest one this round, imo. I joked with seveneyes/alex that he was gonna master it to -7LUFSi and it came out to -6.9. "Dead Waste" and "Mix" both sat around -10 to -11LUFSi (different people mastering). Its Run, Lola, Run-sounding transition is awesome. - I'm pretty sure all of Team Streets was floored by the Etrian!Sakura arrangement. It took us a while to figure out the flow of ours, in part because the Cherry Blossoms MIDI was formatted as triplets instead of "true" 6/8 or 12/8. The buildup/sound design in the intro is great. - I also had no idea Weeks also did the low vocals during the breakdown in Etrian Sakura! Her range is crazy. - Moe's time changes were super fun and Moe/josh overdubbed seph like three or four times in Mix. Moe also schooled on josh and I by making one of his transitions a seagull when we were trying to arrange it with drums or guitar, lmao. - Sun Shine (In My Heart) has some good vocal balancing for the time-crunch. I also can't hear "Azure Sea and Sky" without hearing the lyrics now. I joked in the listening party that Moe should have stuck like 30 seagulls in his to make it a fair fight. I also thought it was neat how many credits each track had - it seemed like each team member had a hand in nearly all of each others' tracks. Looking forward to Round 2!

These are fucking bangers. I am glad I got to finally listen to them. Wonderful job to both teams. <3 Kinda funny how I can directly distinguish who is in what team, just based on the sound palettes, techniques used and their individualistic motifs from previous work of theirs!! It's a highlight to hear everyone's hearts and passions and skills mingle together to make something this unique, and both series' OSTs are pretty crazy and gives such a weird, lively, and wide variety of possibilities to the imagination on arranging a remix! So, kudos to the series selection, source choices and the end results! Look forward to more, and remember, no matter the result, these are fire and I was thrilled listening to each and every one of them (several times over.) :)

I just randomly was thinking that OCremix was started in December, and checking online, see that it says December 11, 1999. For me right now, thats an hour and half away. Myself finding this awesome place in 2003. Not knowing how to make music, but as a lover of listening to it, I don't post much....but, I didn't see anywhere on here it being mentioned about the 25th anniversary. (maybe I just missed it) So anyways.... Just wishing this place a HUGE HAPPY 25TH BIRTHDAY. And of course a huge thanks to everyone who has contributed and kept this place alive for so long. Heres to 25 more years....

Alright folks, got some news for this one - yes, the album is still moving along! Even better, it's been submitted in it's entirety! I've listened to the finished product with some of my fellow judge peers (as well as with Bahamut, the original director for the album) and it seems like it shouldn't have any issues under review, so I can finally say that this thing is happening, and it's happening soon. There will be some teasers and such in the coming months to get y'all excited about the album, but in the meantime I'll share what I think is the *second* most fun organ bit from the album. Ain't the whole song, but I did have a lot of fun making an organ part for one of my tracks so I figured why not spread the joy a little bit? Actually pretty excited to have this submitted, and not just because it'll be a decades-long endeavor coming to a close, but also because the album sounds great. Will it be worth the wait? ... well it was a long wait so I can't be sure, but it'll definitely be worth spending some time with, that's for sure!

Inspired by the old playlisting site, I dove into Invision's database tool and built out a fun new feature I like to call 8Tracks! Create a playlist of exactly 8 OC ReMixes by entering their OCR IDs (e.g. OCR01235) in the form and generate a player that you can listen to and share. We've put together a couple of 8Tracks already, which you can find at the 8Tracks Index, but feel free to make your own! The link is also available at the top of the forum page in the main navigation next to ReMix Submissions. To premptively answer a few questions: Why can't I do more than 8? The forum software I'm using to build out these kinds of features is very limited, so I need to lean into these types of restrictions to make them work. Wouldn't it be easier to have an "Add to playlist" button on the actual ReMix pages? The main site and the forums are actually far more separated than it seems. It's almost impossible to develop user-specific features for the non-forum part of the site. Is this the playlist function you've been talking about for a long time? No. Eventually I want to build a proper, robust playlist function that hooks into the remix database and also ties to user accounts with no restrictions on playlist length; that will come as part of the full site rewrite that will happen eventually. However, building this feature (especially the JS stuff and how it interacts with the YouTube player API) has taught me a lot and I'll be able to apply these lessons to the eventual rewrite. Anyway, I hope you guys enjoy. Looking forward to queueing up some 8Tracks from you. :) -- DarkeSword

Hello!!! Although I'm quite unfamiliar with this place, it is nice to meet people who enjoy remixing VGMs and OSTs! Although I usually make original tracks, I also make remixes. I met this place a few days ago, and I forgot introduce myself. I hope all is well!

Sent these over to DS last night, but here's my take for one of the years!

I say we should give Netscape Navigator 9 another shot.

Hey just so you know, this whole "they don't care about privacy anymore" is 100% fucking nonsense. Mozilla does not say that they can use your data however they want. This is also part of the terms of literally any site you upload anything to; the service needs to say "you grant us the right to do things with your work so that our service can actually function." For example: uploading a picture to Bluesky? Bluesky asserts the right to transform your work so that they can generate a thumbnail of the picture you uploaded. That's what these terms always mean. It's never about a service or a piece of software asserting ownership of your data. It's about you granting them a baseline level of permissions so that they can actually do the things you need them to do with the data you give them. This type of "company is stealing your work" scaremongering makes the rounds every few months in art communities and every single time someone has to clarify that companies are not stealing your work. Mozilla is not claiming ownership of your work. Mozilla is not throwing privacy to the winds. Instead of watching a clickbait video that perpetuates the same stupid misunderstandings, maybe go directly to the source and actually read what Mozilla has to say about it? Also, Brave is the second-to-last browser you should be using (behind Chrome). Brave has engaged with scummy shit such as: Replacing ads on pages with its own ads and taking a cut Putting their own affiliate links in search suggestions Installing a VPN on Windows without notifying users Numerous partnerships with cryptocurrency firms If you want a reliable browser that's not Firefox, there are plenty of options like Orion, Waterfox, Ungoogled Chromium, Arc, etc. Brave is not it. EDIT: But also just keep using Firefox.

Howdy, folks. You may recognize me as Zack! on the OC ReMix discord. I've been enjoying OCR since roughly 2002, and a few months ago I was reminiscing about the OCR podcast in its various incarnations and how much I missed them. I voiced this in the 25th birthday hangout, and @Liontamer encouraged me to get off my butt and just restart the pod. So I did. Check it out here: https://feeds.buzzsprout.com/2445308.rss Ad-free, not trying to make a single cent off of this, and I keep the language tame so that you can listen with kids if you want to. I'm very much an amateur at this, hoping to get better at it as I go. I learn a little more every recording and editing session, so fingers crossed a few more of these and thing will be half decent. If you're reading this, episode 2 is out, so go grab it if you're interested. I'm aware that a few of the voiceovers sound, well, awful. I had the wrong mic selected, didn't notice until edit time, and I have a cold now so my voice is all funny. I figure you guys can deal with a couple minutes of webcam mic. The format is roughly news, new remixes with my worthless commentary on them, some random segment that strokes my ego, and then one final Russian Remix Roulette track. I remember them rolling a die and playing a RRR track on the very first incarnation of the OCR pod, and I wanted to keep it going. Question for the powers that be: any objections to me using the OCR logo as the pod's thumbnail?

I have submitted Star Fox: Double Wing Damage to OverClocked Remix project panel. Now all we must do is wait and see what's next! Great job, everyone! I am so proud to have worked on this album and I'm appreciative of all your support and hard work! Everyone did awesome! We did Fox McCloud proud!

Hallo hallo, another "long time listener, first time caller" for the list A long time fan of VGM; Vinyl & CD collector, obsessive fan-music listener, occasional VGM remixer with my partner. I was finally able to make it to MAGfest this year (I come from far off Europe, and it only cost.... Ye gods, over a thousand buckaroos!) where I met so many amazing friends, and even more amazing strangers, and had so many amazing conversations with 'my people', where I had a sort of, 'wait, I'm not alone, thousands of people are just like me!' moment. Especially it was great to hang out with the ever wonderful KyleJCrb, who I went to the con with, and spent a lot of the weekend with (and crashed the room of many times) - I was planning to check out the OCR panel regardless, but as he was one of the speakers, I made extra sure to clear my con schedule - and as I sat there at the panel, I wondered suddenly why I was lurking, because I felt like I would very much like to be a present part of all of this. I spent a while after I arrived home observing the site much more closely, asking around interestedly to my friends of their own VGM projects, then I decided to poke my head in for real. So... Er... Hello!

Just chiming in to mention that I've sent a finished mix of Resident Evil 4's Save Room theme to VQ, so that's at least one track down for this project! Excited to hear what everyone else cooks up ☺️

Mr. Coop? HA HA! Fuck... now I feel old. You've got four days to finish it and send it if you want to get in on the action. The deadline's 11:59 PM EST on December 20, 2024. If you submit it, make sure to let me know what the remix title is. And don't worry, Mokram, Souperion will be there with us.

I'm just gonna say that the source is valid. It was written specifically for the series. It made its way into Pikmin 2. It represents Pikmin in Smash. We can call this a Pikmin 2 remix.

If life permits I'll jingle dem bells. 🎄

You can count me in ON GOD

Project Director: @Darkflamewolf (Director of Arcadia Legends, Mizar Attacks!, and SeeDs of Pandora) Project Concept: After much prodding and poking by a multitude of people/remixers, wanting me to get this Star Fox album project off the ground, I decided it's high time to get the pitch started! Hot off my take on the SeeDs of Pandora album, I figured we could do a similar thing where we had 'themed' discs with tracks that best matched the core essence of what the disc was aiming to be. However, since I'm not sure the overall interest and response to this album, I'm not going for a large multi-5-disc album like the FF8 one. Instead, I'm going to start off with a smaller 2-disc scope and see if we expand from there or get enough tracks to fill the entire ambition. To sign up, you must join the Community Remix Album Collaborations Discord server. We use it to communicate between all members on the project and makes things insanely easy to coordinate and keep track of the project as a whole. Once there, you can find the Google Form to submit your claim on a track and be part of the project! Discord Link: https://discord.gg/CtJ2a8kjRy The two Disc types*: - ACTIVE: You can interpret your chosen track into any genre/type of music you want, but it needs to maintain the frenetic feel of the original track. It's basically giving the Star Fox fan more of what they want. They got a fast-paced, edge-of-your-seat Corneria theme? Well, we'll give them that and THEN SOME. Keep it active! Make it hard, fast, loud, crazy - go wild! These are tracks I want to really turn my speakers up high and just rage/rock out to! Let the walls pound with the beat. Note: But what if you want to remix a slower song from the OSTs into a crazy, active style? YOU SURE CAN! If it is active and fast, it belongs on this disc, regardless of the original source tune. - INTERPRETIVE: This disc is for everyone not looking for those crazy times, but wants to explore the melodies and themes beyond their original incarnations. Complete freedom of genre, style and mood. You can stay within the genre/style/mood of the original track or you can go off in wild new directions with it and remix it in a way nobody has ever thought of. Can we have active tracks on this disc? Sure, but those probably won't be the focus, but that's not stopping you from making some beats. This is truly the 'freedom to remix' disc. So, if the first disc was giving Star Fox fans more of what they loved, this is giving something they never knew they needed! Be unexpected! Don't repeat what has been done before - do something fresh and new with these tracks if you can! * - More discs and their types will be added depending on how big this balloons as a community project. --- QUESTION: What if a track has already been claimed by another, but it's for the ACTIVE disc and I want to do the same song more INTERPRETATIVE, can we both claim it? ANSWER: YES! However, this is the only instance doubles can exist. We can't have two Star Fox 64 Corneria's on the ACTIVE disc, but we can have one Star Fox (SNES) Corneria on the ACTIVE disc and one Star Fox 64 Corneria on the INTERPRETIVE disc. One variant per disc. Likewise, each Corneria theme is different from game to game, so we CAN have Star Fox (SNES) Corneria on the ACTIVE disc and a Star Fox 64 Corneria on the ACTIVE at the same time since, if you listen, they are different themes for the same place - this also applies to any track claims on the INTERPRETIVE disc. QUESTION: What if a track I want to claim isn't on these track listings? ANSWER: Then when you fill out the Google submission form on the Discord server, claiming a track, request it to be added to the list and that you're claiming it! --- TRACK LIST I am listing all available tracks from all Star Fox games, but that does not mean they all need to be claimed/covered. We'll take whatever we can get, but this album is meant to be a tribute to the series as a whole, thus the entire listing. Star Fox (SNES) 2 - Course Map Select - @Hemophiliac 3 - Corneria - @bLiNd 4 - Meteor - @Xaleph 5 - Titania - @Rotten Eggplant 7 - Asteroid/Venom-Orbital - @Rockos 12 - Venom Base - @bLiNd 15 - Black Hole - @Xaleph 17 - Controls - @ZackParrish 18 - Menu Theme/Map Theme - @APZX Star Fox 2 (SNES) 6 - Titania - @GlacialSpoon Star Fox 64 (Nintendo 64) 1 - Title - Tim Hellman 2 - Select - @Thirdkoopa 7 - Sector X - @Flake42 8 - Zoness - The Vodou Queen 9 - Area 6 - The Vodou Queen / @Thirdkoopa 10 - Venom - The Vodou Queen 15 - Aquas - @Ridley Snipes / @Treyt 17 - Boss A-C (Any theme or multiple medley) - Pixels and Paradiddles Star Fox Adventures (Gamecube) 4 - Krazoa Palace (all variants) - @Treyt / @Rockos 5 - Krazoa Shrine - @mo.oorgan 8 - Thorntail Hollow (all variants) - @ZackParrish / @Emunator 23 - Dragon Rock - @Emunator 27 - Snowhorn Wastes - @Rockos / @gravitygauntlet All variants means you can take any and all segments of the theme and mix and match. Use all or use a few, up to you. Star Fox Assault (Gamecube) 17 - Aparoid Homeworld - @Xaleph 23 - Titania - @Xaleph Star Fox Command (Nintendo DS) All variants means you can take any and all segments of the theme and mix and match. Use all or use a few, up to you. Star Fox Zero (Wii U) 23 - Fortuna (all variants) - @Xaleph All variants means you can take any and all segments of the theme and mix and match. Use all or use a few, up to you. ------------------------------ Our Official Track List Sortie One - Corridor Mode 01 - Theme of the Star Fox - Tim Hellmann (Star Fox) - 3:42 02 - Sweeping Elipse - Rockos (Star Fox) - 4:43 03 - Venom Pulse - bLiNd (Star Fox) - 4:11 04 - Fighting Storms in Titania - Rotten Eggplant (Star Fox) - 4:23 05 - Initiate Code Blue - Treyt (Star Fox 64) - 4:18 06 - Playing Crazy (with the 6th Blockade) - The Vodoú Queen (Star Fox 64) - 4:45 07 - Cries from Crystal Eyes - mo.oorgan (Star Fox Adventures) - 6:54 08 - Arwing Dreams - bLiNd (Star Fox) - 4:55 09 - The Hardest Path - Pixels & Paradiddles (Star Fox 64) - 5:44 10 - Dark Star - Xaleph (Star Fox) - 5:17 11 - Dunes of the Lost - GlacialSpoon (Star Fox 2) - 3:44 12 - Spectre - Treyt (Star Fox Adventures) - 3:44 13 - Meteoric Slipstream - Xaleph (Star Fox) - 6:05 14 - Fortuna Protocol - Xaleph (Star Fox Zero) - 3:25 15 - V.I.R.U.L.E.N.T. - The Vodoú Queen (Star Fox 64) - 5:07 Sortie Two - All-Range Mode 01 - A Hollowed Day - Zack Parrish (Star Fox Adventures) - 5:07 02 - Space Shine - Austin "APZX" Simons (Star Fox) - 3:24 03 - The Perfect Aparoid Dinner - Xaleph (Star Fox Assault) - 3:49 04 - The Death of Fox McCloud - Lucas Guimaraes (Star Fox 64) - 4:40 05 - Wing Men - Hemophiliac (Star Fox) - 3:09 06 - Now Boarding Flight 6 to Venom Lucas Guimaraes (Star Fox 64) - 3:02 07 - Weapon Warp Punk - Flake (Star Fox 64) - 3:46 08 - Free as a Bird - The Vodoú Queen (Star Fox 64) - 5:34 09 - Boundless Skies - Zack Parrish (Star Fox) - 4:30 10 - Bazooka Polace - Rockos (Star Fox Adventures) - 5:45 11 - Ballast - Ridley Snipes (Star Fox 64) - 3:44 12 - Rock and Ice - Rockos/gravitygauntlet (Star Fox Adventures) - 4:59 13 - Sands of Titania - Xaleph (Star Fox) - 4:54 14 - Eyes of Obsidian - Emunator (Star Fox Adventures) - 3:58 15 - Hollow Nights - Emunator (Star Fox Adventures) - 4:57 Reference Links: Star Fox OST: https://www.youtube.com/watch?v=byIjMomjWkA Star Fox 2 OST: https://www.youtube.com/watch?v=oODu0MAG9l8 Star Fox 64 OST: https://www.youtube.com/watch?v=8FdW6cTHs4c&t=1s Star Fox Adventures OST: https://www.youtube.com/watch?v=RSE3q9ktpy8 Star Fox Assault OST: https://www.youtube.com/watch?v=b9naJ4i6fO8 Star Fox Command OST: https://www.youtube.com/watch?v=xiEfudt7Vy4&t=1s Star Fox Zero OST: https://www.youtube.com/watch?v=55N8LLKYIy8&t=1s

Tracks updated! ♥ I might be utilizing the forum's 'CLUBS' function here for this, as suggested by DarkeSword himself. :) I've also got access to the CRAC server as admin / album director, so I will be adding channels for AOCC and AOCH there as well, soon. :D Here's the link to the server, if you're not already on there! -- https://discord.gg/wKyadaTT And as a bit of a surprise, The Coop and I are working on the front and back covers for this!! Yay! Progress! :3 Official website details are still up in the air, but I'll be touching base with @tibonev & @colorado weeks on that ASAP. Hang ten, guys! Looking forward to hearing your WIPs! 🎃🥰

It'll be a link to the server itself, but I hadn't made the channel + threads yet. D: I'll be doing so when I return home in a couple days. Defo by this Sunday / next Monday. ♡ And I'll post the link to the server here! :)

Thinking of joining this! I was originally thinking of making from scratch, but if possible, I'm planning to remix/re-arrange a touhou song and make it creepy, lol.

Sounds like we need listening parties for both soundtracks... :-)

Sounds great! Wouldn't mind doing another year or two if you need—here's some other work, aiming to showcase a breadth of styles.

Well, look at all the nice stuff Morgan said, it warms a middle-aged man’s heart! We’re glad to have you too. :-) This was definitely a trip on the USS Weirdshit, and I’m here for it. Boy, this gets pretty grimey, and props to Chimpa for her post-production efforts as well; just like the Mario 64 piece that she also mastered, everything sounds awesome on my car stereo, which can’t be taken for granted. (I’ve heard pro tracks that don’t come out sounding full and clean on car stereo, to be sure.) Just voted on mooooooooo.ooorgan’s Super Mario 64 piece before this, which I believe was the second or third track of his that I’ve judged. That said, the dude’s got me trained now: expect a journey and expect to be impressed. YES

This may or may not be relevant, but just something to think about, timing-wise: Project threads, traditionally, have been locked for historical record sometime around the release of the album.

I made a list of 25 ReMixes I really like. Certainly not a favorites list (but many of them are favorites. Maybe it's a partial favorites list.). There's something special about each of them to me. Can't put it into words for many of them. They just resonate, you know? 137: Super Mario 64 – Liquid Mario (MkVaff) 469: Final Fantasy VII - Seven Degrees of Judgment (Rosencrantz & guildensternN) 511: Command & Conquer: Red Alert - Mud Mix (Scott Peeples) 814: Final Fantasy IX - dubnofantasyaloneman (DJ Pretzel) 821: Perfect Dark – Air Force One is Down! (Danny Baronowsky) 1008: Final Fantasy VII - Of Transformants and Brevity (zykO) 1403: Pac-Man – Glass Cage (Israfel) 1527: Sonic the Hedgehog 3 – Walk on Water (housethegrate) 1642: Super Mario RPG – Leafcutter (Radiowar) 1657: Shadow of the Colossus – Wanderer on the Offensive (Live Edit) (B33J, Cerrax, Juan Medrano, nonsensicalexis) 1759: Donkey Kong Country - Lost in Jungle (Johan Krafft) 1770: Super Metroid - Samus Bubblebath (Shnabubula) 1984: Secret of Mana - Step Off My Flower Bed (Nase) 2000: Donkey Kong Country 2 – Re-Skewed (David Wise, Grant Kirkhope, Robin Beanland) 2982: Metroid – Cancer (Redg) 3068: Super Smash Bros. Melee – S-Tier (Flexstyle, OceansAndrew) 3119: Dark Souls II – Like a Dream (RoeTaKa) 3203: Donkey Kong Country 2 - Ocean Lanterns (Emunator) 3393: Skies of Arcadia – Undervalued (Kylok, Bree) 3831: The Legend of Zelda: The Wind Waker - Pajarito Paiso (Audio Mocha) 3851: Sonic CD - Dream Current (Rebecca E. Tripp) 4118: Power Drift – Velocity: Fueled by Sake (Katajun, Manny, Sagnewshreds, Trohnics) 4429: Mario Paint - I have Seen the yellow paint (jmr) 4585: Pokemon Red Version – Look at All the Ships! (ZackParrish, Pearl Pixel, Jeff Ball) ????: The Legend of Zelda: Link's Awakening - Animal Counterpoint (prophetik music; not on OCR mix technically but it's on an album so I count it)

Shit, I can double dip on threads then.

It's that time of year once again, where I bombard you with many, many rhymes. It's December 18, which means another "Twas" has arrived. So grab a drink, take a pee if you have to, and let's do this... Twas XXIII: Not So Good To The Last Drop by The Coop Twas the night before Christmas, and things were not well. The house was filled with Yukon Jack's familiar smell. Tara sat in her room without making a sound. She just sat on her bed and looked sadly around at the room she'd called home for the last eighteen years; her vision a bit blurred due to the building tears. A duffel bag filled with all the clothes she could put into it quickly, rested beside her right foot. As she sat quietly, she thought of how the day had started out just fine, yet ended up this way. She had gone to the mall with her old friend Sophie. They'd been walking about and acting so carefree after they'd had some lunch and went from store to store, looking at clothes, CDs, DVDs and much more. It was as they passed by where the mall's Santa was, that they saw how all the kids in line were abuzz with excitement as they waited for their turn to ask Santa for a present; maybe, even two. “Let's get in line,” Sophie said, a smile on her face. “Say what?” Tara chuckled. “We'd be so out of place “standing with those kids that are already in line.” “Oh come on,” Sophie laughed. “Let's go. It'll be fine.” With a sigh, Tara was soon being dragged along, as the mall echoed with that familiar old song of Rudolph the reindeer who had a bright red nose. “You hyped?” Sophie asked. Tara replied, “I suppose.” “That's the spirit,” Sophie grinned as she shook her head. The two of them then got into the line that lead to the wintry scene where Santa and an elf were. And the next half hour became something of a blur as the children's chattering continued non-stop and drowned out the noises from any nearby shop. Soon, Tara and Sophie were the next two in line. “Got your ideas?” Sophie asked. “Cuz I've got mine.” “You're way too into this,” Tara said with a smirk. Sophie stuck out her tongue with, “Don't wreck my fun, jerk.” They shared a laugh before Santa's elf came up to Sophie and asked flatly, “Seriously you two?” “Yep!” Sophie smiled. “I'm here to see Santa and see if he'll get your friends to make something nice for me.” The elf rolled his eyes with a muttered, “Fine. Let's go. Just please behave, huh? There are children here you know.” “I'm not that bad,” Sophie grinned. “Well, usually.” The elf let out a sigh with, “C'mon. Follow me.” Tara watched as Sophie went to Santa and sat across the man's lap and had a very short chat with him about how she'd been good most of the year and how all she wanted was to give him good cheer. She then kissed him on the cheek and smiled at the man, which made him smile warmly; as only a kiss can. She then got up and left and moved off to the side with a silly smile that she didn't try to hide. “Your turn,” the elf said as he neared where Tara stood. “I'll behave too,” she grinned. The elf replied, “That's good.” It wasn't long before she had reached Santa's chair, clearly feeling awkward as she was standing there. “Hello there young lady,” Santa smiled up at her. “Would I be out of line if I was to infer “that the woman I just spoke with came here with you? If I'm right, are you going to kiss my cheek too?” With a small chuckle and smile, “No,” Tara replied. With a smile of his own, “Then feel free to confide “in me what it is that you'd like to get this year.” When she gave no response, “Tell me, what's your name, dear?” “It's Tara,” she said as she continued to stand next to Santa's chair as he gently took her hand. “Well Tara,” he smiled, “what is it that you'd like to have created by my skilled and handy elf crew?” Tara said nothing at first, but her attention was quickly pulled away by the cries of someone. She looked around and saw a woman on one knee, next to a little girl who was looking sadly at the doll in her hands that was missing its head. It wasn't on the doll, but on the floor instead. The woman comforted the child as the girl cried, and held the young one until her tears did subside. The woman then picked up the doll's head before she held out a caring hand and got up from her knee. Holding the girl's hand, the two of them walked away, and Tara stood there without anything to say. Santa saw how Tara was lost in her own head. With some concern in his eyes, “Young lady?” he said. His voice pulled Tara back into reality. She looked at him and gave a quieted, “Sorry.” He could see in her eyes that her thoughts had gone to someplace unpleasant she didn't want to wade through. “You OK?” Santa asked. Tara nodded a bit and said, “Yeah, but I think it's best if I just split.” “Before you leave,” Santa said, “just tell me one thing. For Christmas, what is it that you'd like me to bring?” Tara stayed silent for a short time until she began to speak in a saddened voice quietly. “Bring me a new childhood where I'm not the one who has to play adult when I wasn't ready to. “Or maybe a redo for last year's Christmas day, when some people came to take my father away. “Or at least make it so I don't have to take care of someone who'd be found dead if I wasn't there.” Tara's face saddened as she closed her eyes and said, “But that won't happen, so that Christmas wish is dead.” With a disheartened frown, she took her hand away as her words left Santa unsure of what to say. Without another word, Tara rejoined her friend and their trip to the mall came to an abrupt end. Tara said bye to Sophie and then went back home. Once there, she found her mother had begun to roam around the house looking for some liquor to drink. And the sight of this made Tara's heart quickly sink. That was hours ago, and it made Tara decide that she had to get away and so chose to hide away in her room and pack up the things that she couldn't leave behind as she got ready to flee. And so now there she sat, waiting for when she could get away and leave it all behind her for good. Tara closed her eyes for a few moments until, the smell of that liquor hit and made her feel ill. She could hear her mother Pam, shut the bathroom door. The harsh sounds that came next, Tara tried to ignore. She heard her mother mumble incoherently, and then heard the woman vomit rather loudly. Tara grimaced at the sound; her eyes still closed tight. “C'mon Ray,” she uttered. “I wanna leave tonight.” As if she'd been heard, a pair of honks from outside brought relief to her face as “Oh, thank God,” she sighed. With a quieted quickness, she got to her feet and then snuck down the hall, trying to be discrete. She stepped from the house and gently shut the front door, while the first tears of the night looked ready to pour from her eyes as she made a beeline for the truck, whose passenger door was open so she could chuck her duffel bag in, which Tara did right away. And as she climbed in, she said, “Get me out of here, Ray.” “Sure,” the guy said as he put the truck into gear. “Let's go to my place and get the hell out of here.” The engine revved up and they drove into the night. It was then that Tara finally lost the fight with all the emotions that wanted out of her. Her tears at last fell and the world became a blur as she cried where she sat beside the person who she'd been dating for three years and who'd helped her through ev'rything she'd been forced to witness and endure. Through her tears, Tara said, “Thanks.” And Ray asked, “What for?” “For getting me out of that goddamned house,” she said. “For helping me not have to find my mother dead. “I know this was sudden, and I'm sorry for how you've been pulled into this.” Ray then said, “C'mon now. “You've gone through some shit, and now that shit's hit the fan. You're my girlfriend, and I'll help however I can.” She looked over at him; a sad smile on her face. “So just relax,” he said. “Soon, we'll be at my place.” Back in her mother's house that Tara had just left, the whole place seemed empty and was oddly bereft of any of the sounds that had been there before. It took a few minutes, but soon the bathroom door opened up slowly and out staggered Tara's mom; her hair all messed up, like it had endured a bomb. Pam looked rather drained as she stepped into the hall, her words slurred a little as “Tara?” she did call. When she got no answer, she went to Tara's door. “Tara?” she repeated, her word slurred a bit more. She pushed the door open with, “Tara, I need more Yukon 'cuz I'm out. Will you get some from the store?” It took a few seconds, but she soon noticed there was no sign of Tara in the room anywhere. “Tara?” she called again and when no reply came, “I really not in the mood for this stupid game.” But all that she heard was the silence of her home. It was shortly after that, she'd begun to roam as she tried to find where Tara was in the place. As she did this, anger quickly came to her face. “Goddamn it,” she slurred with a slight shake of her head. She returned to Tara's room and there on the bed sat a folded piece of paper she hadn't seen. Pam went up to the bed of her now missing teen. Pam picked up the paper and opened it to find it was a written note Tara had left behind. “Mom,” it began, “I've decided to move away. Way too much has happened and I just cannot stay “in the house with you anymore, so I've moved in with someone I can trust. Why? Where do I begin? “I was eight when I looked after both you and Dad for the first time after that ev'ning you both had. “My birthday party had just ended when you two chose to get completely trashed by burning right through “all the liquor you had in the house at that time. Someone puked on the floor, and left behind that slime. “I came out and saw it, while you both were in bed. Did I go back to sleep? No. What I did instead “was clean up that mess and keep watch over you two in case someone choked on any vomit that they'd spew. “The next day, you saw the stain and blamed me for what one of you had done during the night before. “From that moment on, you both made me feel like I had to keep watch on you both so you wouldn't die. “Year after year I tried to deal with all that crap, hoping that maybe reality would just slap “you both upside the head and show you that your kid wasn't your damn caretaker. But it never did. “I tried to talk to you both. Dear God, how I tried. But you'd both just dismiss it, and I always cried “when I went to bed those nights, feeling like your maid. For years I put up with the bullshit you displayed “for me that showed how all you both wanted to do was stay shit-faced all the time. That's what I went through “week in and week out until last Christmas Eve night. Dad passed out in his chair, and death snuffed out his light. “He'd been drinking Yukon Jack, and he drank too much. He poisoned himself with his fav'rite liquor crutch. “He died during that night and I spent Christmas day watching the coroner take my father away. “And now here we are, Mom, in the same fucking place. You're still shoving that Yukon Jack shit in your face. “I can't take anymore, so I'm leaving today. I've been put through too much and I refuse to stay. “If you want to keep drinking, then go right ahead. But someone else can be the one to find you dead “in that chair the same way that I found Dad last year. For my own sanity, I have to disappear. “So know that I'm safe, but I won't be coming back. I hope that one day, you'll leave behind Yukon Jack. “I pray someday you'll see what that shit's done to you, before it gets to the point where it takes you too.” Pam's expression went from confusion to sadness, despite just how hard she tried her best to repress the emotions within her that tried to break free. “This can't be right,” she slurred. “Did my daughter leave me?” But those feelings soon faded, and what took their place was anger as a sneer quickly came to her face. “You turn your back on me?” Pam muttered as she threw the letter onto the bed. “Well then, fuck you too.” She stormed down the hallway and stumbled just a bit as she went to her bedroom and dug through the shit that cluttered up her purse until she found her keys. Into the cold night she went, then fell to her knees as she felt her stomach churn right before she blew out her stomach's contents, along with some blood too. She puked a second time as the world seemed to spin. She swayed in place slightly as puke dripped from her chin. It took a solid minute for her to regain her equilibrium, which she tried to maintain as she looked at the mess that she'd made on the ground and how her blood was mixed in. After which, she frowned. “That's not good,” she muttered as she took in the sight. “Maybe a liquor run's not in the cards tonight.” She spat a couple times, then got back to her feet and went to her mailbox that stood along the street. Her mail was collected, and she went back inside; her ire still in place, which she didn't try to hide. She went back to her chair and sat down in a huff before she began to dig through all of the stuff that the mailman had brought her earlier that day. And she did this without a single thing to say. The mail was mostly fliers for sales here and there. Each one selling things, about which, she didn't care. Electronics and shoes, and some gunk for her skin. But as she went through them, things began to sink in. “Hurry!” said one flier. “It's your last chance to save!” Another stated, “Get back what you really crave!” She paused for a moment. Her brow furrowed a bit. She seemed distracted as she continued to sit with the mail on her hands 'till at last she put down what she was holding as she continued to frown. “There must be something on,” she mumbled to no one. She turned on the TV and soon she had begun to flip through the channels 'till she found something to distract her from her thoughts with a, “Guess this will do.” The screen was filled with a well known stop-motion tale; one she hoped would be able to fully derail her unpleasant thoughts that had given her some pause. And so she watched “The Year Without A Santa Claus.” It was on the scene where Mrs. Claus had a chat with Mother Nature and her odd bird's-nest hat. Heat Miser showed up, then Snow Miser did appear, and both got a stern lecture from their “Mother Dear.” As she watched the show, what she had drank took its toll. Her eyelids grew heavy and soon began to stroll downward until, at last, she had closed her eyes and left the waking world as she entered the dreamland. It wasn't long before she awoke and was met by a scene she'd seen on her television set. All around her, things didn't look right to her eyes. It was like they were toys, but blown way up in size. Buildings with thatched roofs, mud walls with embedded stone, but they didn't look like anything she'd been shown at any point in her life, in books or nature. Even supposed wood didn't look right to her. What should have been straw, looked more like big grouped tubes now. The mud walls looked more like paper mache somehow. What were supposed to be stones, were flat bits of wood. Even the ground and trees didn't look as they should. Nearby stood a table with a chair that seemed odd. She went up and touched them, then uttered, “Oh my God!” as she felt how little the two things seemed to weigh. What looked like heavy, thick wood, seemed to betray reality as she asked, her voice holding fear, “Where in God's name am I? And what's going on here?” She looked around again with, “This is a dream, right?” “Not really,” came a man's voice. “It's no dream tonight.” Movement came from the strange cabin that Pam stood near. Its front door swung open and Santa did appear. The pants, coat and hat he wore were red with white trim. They looked like thick felt with how stiff they were on him. A black plastic-like belt went around his belly. His black boots were plastic too, from what she could see. His face was like polished wood which had a beard glued to it as his entire appearance did exude the idea he was someone's over-sized toy. And the sight of him nearing didn't bring her joy. The scene clearly freaked her out as he came outside; a fact that she didn't make an effort to hide. Santa drew closer with each jerky step he took; with movements that gave him a near stop-motion look. Pam watched him come toward her with a stare that was filled with confusion and fear, which continued to build. It took a few seconds, but when her brain kicked in, a memory came to her from when she had been in her chair as she watched a stop-motion kid's show. And this memory helped make her confusion grow. Her gaze fell as ev'rything poked hard at her mind and she uttered, “This is a nightmare of some kind.” “Yes and no,” Santa said. “You're not awake right now, but we're both very real.” Too which Pam asked, “But how?” She returned her gaze to the fat man who grew near. “What's going on Goddamn it, and why am I here? “Why does ev'rything look like that show on TV?” When Santa said nothing, “Goddammit, answer me!” Santa's stop-motion gate soon brought him up to her. He said, “Excuse me as I get changed, as it were.” With a snap of his fingers, ev'rything went dark. Then a second snap came and there was a bright spark that burst into being and which hung in the air as its body gently shimmered while Pam stood there with surprise on her face and some fear in her eyes. After a few moments, the orb began to rise and move slowly toward her 'till it was overhead. With alarm in her voice, “I don't like this,” she said. “You've got nothing to fear, Pam,” came Santa's voice from the darkness before her. “But I'd like you to come over to me so that we can have a short talk.” “About?” she asked nervously. He said, “Please, just walk toward the sound of my voice. I promise you'll be fine.” With little steps, Pam cautiously walked a straight line. As she moved forward, the orb of light did the same and lit a small patch of ground, which for Pam, became the only place she felt safe to put her feet on. For outside of that light, the world was simply gone. No color, no movement, just a void; dark and deep. But steadily forward, Pam continued to creep. Just up ahead of her, fading into the light, was someone who was a rather familiar sight. Santa had begun to come slowly into view. But the man no longer looked like what he used to. Gone was the man that looked like an over-sized doll. He now looked human; with a big belly and all the red, white and black attire that one would expect of the one called St. Nick. And this change did affect Pam as she backed off a couple of steps from him. “Oh God, now what?” she asked, her tone fearful and grim. “It's alright,” Santa said, holding out his right hand. “There's something important we should talk about and look at together for a few minutes my dear.” He brought his hand up more and asked, “Will you come here?” “I um...” Pam uttered as hers eye darted between Santa and the darkness where nothing could be seen. “You're safe with me, Pam,” he said in a calming voice. “I wish you'd walk with me, but you do have a choice. “If you'd like, I could send you back to your old chair so you can continue sleeping as you sit there. “Or, you can come with me so that you can see how someone you know is in a lot of pain right now.” With some hesitation, Pam went up to St. Nick. As she held out her hand, “This best not be a trick.” “It's not,” Santa said as he took her hand in his. “A chance to help someone, is what this moment is.” A single image faded in ahead of her; it was fuzzy and looked like a colorful blur. But as it came closer, the image began to get clearer and more defined the closer it drew. It soon came to a stop a dozen feet away. Pam looked at the image, unsure of what to say. The picture was of a girl who looked eight years old. She was on her knees and was clearly being told to clean up the dark blotch that a rug had on it. The girl looked upset, like she'd been crying a bit, and her eyes were fixed on the woman who stood there in a bathrobe and slippers with tangled up hair. The woman was holding a scrubbing brush out to the girl and pointing at the spot in question too. “I've seen this,” Pam uttered and continued to stare at the photo before her that hung in the air. “That's you and Tara,” Santa factually said. “Taken not long after you'd gotten out of bed “and found a stain that you quickly blamed Tara for. A mess that your husband had made the night before.” “Excuse me?” Pam blurted out. “That's complete bullshit. She had spilled something there and I made her clean it.” “Do you recall the night before?” Santa asked her. Sounding vexed, she replied, “No, I don't remember. “And why would that matter? I told you what she did.” Santa replied calmly, “Let's see what your mind hid “away in a corner over the last decade.” After a moment, the photo began to fade as it was replaced by a movie of some kind; one that stirred up something in the back of her mind. It was like ev'rything was seen through someone's eyes, and this left Pam confused as she struggled to size up what was happening in the scene that played out. But when she heard someone speak, it left little doubt regarding who was involved in what she did watch. She heard a man say, “Oh yeah, this shit is top notch.” “Dale?” Pam faintly said as she continued to stare at the video-like scene that hung in mid-air. Pam then heard her own voice say, “That is very true.” The view then swung over to reveal the man who had spoken, which made Pam's jaw go a little slack. “Dale,” she uttered before he said, “Give me that back.” In the scene, a hand came from below into view. It held out a bottle, and the man said, “Thank you.” Pam watched as he took a big swig of Yukon Jack. And after he had finished, he handed it back. “Thank you my good woman,” the man drunkenly smiled just before he leaned forward and grossly defiled the rug on the floor that was laid before his chair. Then came Pam's voice, “You're done, Dale. Just leave that mess there. “I'll clean that tomorrow, assuming it comes clean,” she said as the view stayed on the large pea soup green stain that he'd just made on the rug between his feet. Pam watched the scene fade as Dale got up from his seat. “The picture I showed you first,” Santa said softly, “was taken by Dale after you initially “had yelled at Tara for the mess she didn't make. She told you the truth, but you called her story fake. “Tara had come out after you two went to bed. Where you had left the mess, Tara chose to instead “try to clean it up before you and Dale awoke. The next morning, you both berated her and spoke “to her like she'd been the one to do something wrong. From there, your eight-year old daughter endured a long “and hard road where she tried to take care of you two so that she wouldn't get blamed for what you'd both do “when you got too drunk and left messes or passed out. And year after year, that's what her life was about.” As Pam stood there, more of such scenes began to fade in from the darkness around her until they'd made a patchwork dome of moments that played around her. As she took them all in, unease began to stir within her as she saw things she couldn't recall. But her voice and husband were present in them all. And then there were the ones where Tara was present. Where the girl got yelled at or wound up being sent to get this or that bottle as her parents drank. Pam's emotions began to churn and her heart sank at how Tara had gone from a happy young child, to a sad and despondent teen who never smiled in any of the scenes that showed her older face. Santa saw this clearly, but he remained in place as he watched Pam become overwhelmed by the sight of what Tara had endured for night after night and day after day for those ten very long years. When Santa at last spoke, Pam started shedding tears. “Tara cleaned up what both you and Dale left behind. The bottles, the vomit, anything she would find. “And on top of that, you know what else she would do? She would spend time each night checking up on you two “to make sure that you both would wake up the next day. That in your sleep, neither of you would pass away “because you choked on anything you'd bring up when you were asleep. She did this again and again “each year without fail. And all she got in return, was your letting the bridge between you and her burn. “And now Tara's left because you wouldn't see how your actions affected her... both back then, and now.” Pam averted her gaze as stood quietly. In time, she asked sadly, “She's gone because of me?” “She is,” Santa replied. “But Dale played a role too. And what happens next, is completely up to you. “You can keep going down the same road you've been on, or you can try to fix things before Tara's gone.” “She's already left,” Pam said in a quiet voice, to which Santa replied, “As I said, it's your choice. “She left you behind, yes, but she's not gone for good. I don't know where she is, but I think that you should.” “What?” Pam said with confusion as she looked at him. “How could I know?” she added, her tone rather grim. “Who would Tara trust?” he asked. “Who would she turn to? I don't have that answer, but I'm guessing you do.” Without another word, Santa brought up a hand. He snapped his fingers, and Pam left the crazy land of darkness and her past as she found her mind hurled back into her chair at home and the waking world. She opened her eyes as she sat up in her chair. And with a puzzled gaze, she quietly sat there for a few minutes before she got to her feet. In her bedroom, she got dressed and then took a seat on the edge of the bed as she put on her shoes. She then went through her home and picked up any booze she was able to find and dumped it in the sink. Once she was done, she said, “That's all of it, I think.” She then put on her coat and went out the front door, only to return and rush to her dresser drawer where she had always kept her purse and her car keys. She mumbled to herself, “Damn near left without these,” as she grabbed those things and went right back out again. She started up her car and shortly after then, she was out on the streets and stopped at ev'ryplace she could think of to check, with worry on her face. With her phone in hand, she went down her contact list of Tara's friends' numbers, making sure none were missed. Pam called a few from her car that she didn't know where they lived. The others? To their homes she did go. At each one, she talked to her daughter's friends as she did her best to locate where her daughter could be. Two had simply told her that Tara wasn't there, while three others gave suggestions regarding where Tara might have gone and to give those spots a try. But Tara wasn't at any place Pam stopped by. By the time Pam returned to her home, it was late, and she felt like she had some unbearable weight that pressed hard on her mind and heart as she sat down in her old chair with a deep and despondent frown. Tara's friends were a bust, and their suggestions too. With tears in her eyes, Pam said, “Tara, where are you?” She dug out her phone and scrolled through her contact list once more to see if there was someone that she'd missed. Numbers and names went by until she reached the last one that had no name with it. “Who's this one?” she asked. She tapped on the contact with a questioning stare. She brought the phone up to her ear, under her hair. The phone rang sev'ral times before someone answered. “Hello?” a man said, but the next thing that she heard was the voice of a woman in the background who asked “Who is it?” and he replied, “I've got no clue.” Pam's eyes grew wider when she heard the woman's voice. She then began to smile in a silent rejoice. “Who is this?” the man asked. Then in a more forceful voice, “You best answer me. I'm not up for some bull-” “You don't know me,” Pam cut in with a pleading tone, “but I'd like you to put my daughter on the phone.” With ire, the man asked, “Who gave my number to you?” “I don't know,” Pam replied. “I was just scrolling through “the contacts on my phone and it was the last one.” “I know who you are,” he spat. “This chat's fucking done.” “DAMN IT WAIT, PLEASE!” Pam yelled. “Please don't hang up the phone! Just let me talk to her, then I'll leave her alone “if that's what she wants. But I need to tell her things and hear what she says... even if what she says stings.” The phone line went quiet. Long enough to scare Pam, before she heard Tara say, “Well Mom, here I am.” “I'm so sorry,” Pam said as her voice cracked a bit. “I know I fucked up. I'm sorry for all of it.” “You're sorry?” Tara said in a near laugh. “Really? That's all you can say after all you did to me? “All the shit that I saw? All the shit I went through? Everything I endured because of Dad and you?! “All the sleep I lost and the times I cried in bed, afraid that I'd wake up and find both of you dead “because of that fucking shit the two of you drank! All I did to help! But all you both did was spank “me and yell at me for the messes you two made! I put up with that shit for a fucking decade!” Pam could hear the pain in Tara's voice before she said, “I know,” in a soft tone. “I know you hate me “and I don't blame you after all that you've been through. All you've seen and heard, and all the punishment too. “But I need you to come home so that we can talk.” “Like I'd ever do that,” Pam heard her daughter balk. “Tara, please,” Pam begged. “I'm asking you to give me a chance to make things right. I swear I will. You'll see. “All the booze in the house has been dumped in the sink, and I'll clean the place up so that it doesn't stink “like an old woman's farts or liquor anymore.” Pam teared up a bit and her throat tightened before she continued with, “Please, just give me a chance to do whatever I need to make it up to you.” For what felt like hours, silence had filled the line. Pam had grown worried when Tara gave a curt, “Fine. See you in the morning,” and hung up afterward. From there, half of the night for Pam became a blurred stretch of frantic actions as she cleaned up the place with a stern look of purpose etched onto her face. By the time four AM finally came to pass, Pam flopped onto her chair as she held a tall glass of water, which she then made quickly disappear. “I forgot how much shit Dale and I had in here,” she grumbled as she sat back while doing her best to catch her breath while she relaxed and tried to rest. She set the glass onto the small table between her chair and Dale's as she sighed, “Got this damn place clean.” She rested her head back and closed her eyes as well. And into an exhausted sleep she quickly fell. The next thing she knew, she was opening her eyes. Sunlight now filled the room, which caught her by surprise. With a groan, she sat up, with, “How long was I out?” She checked her phone's time and let out a panicked shout. “OH SHIT!” she blurted as she stood from her old chair. She ran to the bathroom to pee and brush her hair. Once she had finished, she went back to her seat where an envelope rested on the small table there. “What the...?” she mumbled as picked up what she'd found. The front said “For Pam,” and when she turned it around, the back had no writing and looked to be sealed shut. “Who's this from?” she asked no one as she sat her butt right back down on her chair and took the letter out to see who it was from and what it was about. “Pam,” the letter started. “I hope you're doing well. I have something to share. Something that I should tell “you before you begin to spend this Christmas day with the young, heartbroken woman who's on her way. “What you saw earlier was not quite all that you and your departed husband put your daughter through. “What she endured, left a lot of scars in her mind. So I'm hoping when she gets there, that you will find “the patience and time to let her speak about how much she suffered from when she was eight, until now. “Take this chance to build up what those years took away. Show your daughter how badly you want her to stay “in your life, and that you won't hurt her anymore. Take care of yourself, Pam. Now go answer the door.” A few solid knocks at the door brought Pam to turn her attention to it as a bit of concern built up in her gaze. She set the letter down and was hit with a bright flash just as it left her hand. She then shielded her eyes as the flash came and went. Afterward, she saw that the letter she'd been sent was nowhere to be found. It was just simply gone. She looked confused as she asked, “The hell's going on?” A second knock on the door pulled Pam from her chair. She then pulled open the door to see who was there. The first thing she felt was the cold breeze and chilled air. Then she saw who was giving her an icy stare. Pam stood in place, a bit stunned, despite that she'd known Tara said she'd come by when they'd talked on the phone. “You came,” Pam uttered as she looked at her daughter. But Pam's gaze soon shifted to someone behind her. With Tara was a man Pam had not seen before. Her eyes stayed on him for just a few moments more before Tara spoke up and got Pam's attention. “I'm here,” Tara said coldly. “Let's just get this done.” A sad gaze came to Pam's face as she saw the way Tara's harsh glare told how she didn't want to stay. Pam's sadness soon won out and she began to cry. “Do you hate me?” she wept. Tara gave no reply. “I'm so sorry,” Pam said as tears ran from her eyes. “For all that I did and said that made you despise “your father and I the way that you do right now. I want to fix this, but I... I'm not sure just how.” From there, Pam took Tara into her arms as she continued to cry almost uncontrollably. Tara said nothing as Ray watched with some concern. But in time, Tara held her mother in return. “We've got a lot to discuss,” Tara stated in a tone that wasn't quite as cold as it had been. It took a short time, but Pam soon let Tara go. “Who is he?” Pam asked. “Is he someone I should know?” “He's my boyfriend,” Tara said. “who you've never met.” Pam looked just about as surprised as she could get. “You've been dating?” Pam asked. “For a year,” Tara said. “Since a few weeks before I found my father dead.” Ray chimed in with, “And I know just what she's been through. I'm here so that she won't be left alone with you.” With some anger in her stare, Pam looked right at Ray. “You're calling me a threat to her? How dare you say-” “I'm not saying that,” Ray cut in with a firm tone. “She's been through hell, and didn't want to be alone “here with you while you both talked all of this over. So that's why I've come along, Pam. To support her.” “This is a family matter,” Pam said sternly. “It doesn't involve you, Ray. Just Tara and me.” Tara stated, “He stays and sits in with us, or, I walk away and don't speak to you anymore.” Pam looked annoyed, but sighed with a, “Just come in, please. It's chilly out here, especially with the breeze.” Tara and Ray came in and Pam shut the front door. From there, they all took a seat and began to pour over the last ten years and what Tara went through. The stress, the sadness and the intrusive thoughts too. Many things were shared as Pam and Tara conversed, while Ray simply listened to them talking at first. But in time, he too spoke up ev'ry now and then to say what he'd helped Tara get through each time when she'd go to him so that she could get away from her mom when she was drunk on cheap whiskey or rum. Pam also shared what she'd been through with Dale's demise. The loneliness, loss, and how she came to despise having Dale gone and how Tara avoided her. But now Pam knew how she'd pushed away her daughter. Why Tara had felt like she had to find a way out; to stay away from her mother, who'd curse and shout about things that she did and then blamed Tara for, until Tara just couldn't take it anymore. As they continued to talk time slowly went by. Much stood between them, but Pam and Tara did try to talk without shouting or slinging insults, but it wasn't always easy considering what had gone on for so long over the last ten years. This lead to flared tempers, short breaks and some shed tears. The road ahead seemed daunting for Tara and Pam. With so much to discuss, it was too much to cram into one morning's talk. In time, each knew that they needed some time to think, and so called it a day. What lay ahead for them as a mother and child? Could what pushed them apart ever be reconciled? Who could say for certain, but one thing was quite clear; despite all they'd spoken of they were nowhere near resolving their issues. But at least there was hope. Perhaps they could mend things as they learned how to cope with all the pain-filled times the two had talked about. A long road lay ahead. Of that, there was no doubt. And as their dark past now saw it's first bits of light, Merry Christmas to all. And to all, a good night.

@Dj Mokram Ooooh yes, I feel you about the stylistic experimentation; I'm super curious which source you're thinking about, and hope I get to find out at some point 👀 The album seems to be lacking in this type of representation so far, so it'd be welcome with open arms if you decide to join up at some point. Bird is absolutely the word! I also really appreciate the ultra-valid & aptly-stated advice, and I definitely resonate with the implications behind what you're saying. That notion is starting to make itself known, and I'm working on ways to streamline/mitigate some of these things to a degree, but I also can also see that good planning can only accommodate for so many things. I at least have a few levels of consultation to help guide some decisions, but I agree and think a co-director would be a key step in ensuring this comes together in a smoothly (esp if the scope of the project continues to grow beyond the initial expectation 😅). @GCJ That's stellar!! 😎 Thanks for extending your desire to participate; I like the style and energy behind your posted ReMixes, and could see you being a great fit to the project! I'll be reaching out to you on Discord momentarily to discuss it a bit further here~

Happy 25th :D - I discovered OCR while I was making my Pokemon Crystal walkthrough on YouTube, and I was looking for background music each week. The first song I picked was "Beamsabre Beat ZERO v2" from Shariq. This was like 2009. - I've been a fan of these artists or become a fan lately (if I didn't list you I just forgot xD): zircon - intriguing sound design, surprising chord progressions, and crisp production Joshua Morse - well-established "distinctive sound", exciting arrangements, funky vibe WillRock - well-established "distinctive sound", shredding solos, nostalgic vibe Chimpazilla - well-established "distinctive sound", open-minded, friendly personality Big Giant Circles - clean production, wholesome personality, well-established "distinctive sound" Juan Medrano - guitar master, nostalgic vibe, clean production Prince uf Darkness - guitar shredder, clean production, magnum opus orchestrator J Damashii - crazy arrangements, creative mind, wacky personality bLiNd - clean production, wholesome personality, EDM master Sam Dillard - incredible orchestrations, expansive knowledge of dynamics, creative mind - Here are some of my favorite tracks of all time: The Unholy Wars (Juan Medrano + Dhsu) Become Death (J Damashii + me) Blast Beatdown (zircon + tefnek) Bleets of Lightning (WillRock) The God Machine (Vig) Tropical Paradise - ambient (Big Giant Circles) Beyond the Glass (Sam Dillard) Club King Bowser (bLiNd) There's a Zomboss on my Roof (Chimpazilla + me) Prancing Dad (Prince uf Darkness) Fossil Fuels (Joshua Morse)

I'm all in on this concept! Some of my favorite tunes are the credits themes and I don't see enough representation for them (SotN's ending theme, "I Am the Wind", or Metal Gear Solid 2's "Can't Say Goodbye to Yesterday" are great examples).

i don't figure out eligibility, i just do music stuff, so i'll let someone else handle if this counts. at least the video is cute. opens with a very Outer Wilds-esque guitar arpeggio and some beautiful live instrumentation alongside sfx. maclaine's voice is superb for this, the tone is just perfect. if anything i think there's too much going on behind her voice - i don't want to listen to the (admittedly awesome) other stuff, her voice is too good. i can't speak to the pronunciation (no pun intended) but the text sounds like it's very comfortable and the language doesn't get in the way of anything. we get some percs at 0:57, and the backing elements continue to be excellent. there's a break at 1:20. the vin right away there is a touch out of tune but fixes it quickly afterwards as part of that lovely rising line. 1:48 starts the second verse, and we get back into a more simple rhythmic backing part. some drums at 2:13 kick the second chorus, suitably understated while still playing something worth listening to. another break at 2:42 for the start of the bridge section. i appreciate the space added to this section, it really adds some contrast to the very busy verses. i also appreciate that there's a lot of time given throughout, it feels like you're adding some bars in different places with how patient it is, and i like that. vocal riff at 3:29 is great. 3:40 starts some more distinct solo sections - lead guitar tone is perfect, sounds great. 4:20 is the recap of the chorus - if anything i wish that maclaine's voice is a touch more focused and intense here to fit the backing elements, but it still sounds great. there's a ton of falling action after this chorus. this was a good opportunity to mix up the chords under the vocal line imo, but what's here is fine. 5:13's got some really subtle piano lines. i actually didn't care much at all for the descending chromatic line in the plectral instrument there (pretty sure it's guitar), but it settled down nicely so that's great. this is outrageous and i can't believe it's going to be available for free. the care throughout the arrangement to constantly identify individual little bits to highlight at every second is just astounding. the performances are excellent and the vision is grand and inviting. excellent work. YES

Matt, your Maynard impression is pretty damn on-point, and you also came prepared with the FX processing to nail the iconic Tool sound. Major shoutouts to Seph on the screams too, I didn't know you had that in you! I remember commenting in the DoD listening party (before I knew it was you guys making the track - I should have known!) that there were some sections that felt particularly imbalanced in terms of volume, but that appears to have been totally ironed out in this version, because everything is crystal clear and sitting in just the right spot. The bass and guitar tone, in combination with the vocal processing, are the perfect mix of sludgy, aggressive, and clean at all the right moments. And it should go without saying that the instrumental performances are incredibly tight across the board - I can tell you all had a lot of fun with this. I have a few minor gripes with the mixing. I didn't really pick up on this before, but the vocal sibilance is really coming through hot on my current listening setup, and could use a bit of taming on the consonants. The kit drum, specifically the kicks and (to a lesser extent, the toms) feel mixed a bit too clean and clicky, almost like you would mix for an EDM track rather than a rock track. Everything is distinct and the clarity is excellent, but something doesn't sound QUITE right for the genre and I think the clarity on the kickdrum is the culprit. That's all I got for you though - the rest of the mix is really, really good. Easy yes on all fronts, you guys are powerhouses at your craft! YES

Hudak was the perfect choice for a leadout track, hell yes

OK, so I've been holding off on voting on GSM tracks because of my involvement in the competition, but since we're limited on judge bandwidth and this is still sitting here with one vote on it, I'll jump in and give my two cents. Yeah, this source is cursed for SURE. Fair enough though, we hit you with Environmental Mystery in Round 2 and that's just as unwieldy in a different way. The source usage checks out even if it's obviously not the catchiest material from the Castlevania side, and the triumphant Super Metroid melody makes for an insanely rewarding payoff. On the production side, this goes all-in, and you're quickly proving why you're one of the most promising up-and-coming electronic artists in the community. You really don't hold back on your processing, and it's abundantly clear that you put a lot of love into every little detail, fill, filter sweep, and transition so that you're never just coasting on autopilot. There's an inherent challenge to mixing a track like this, but when you're doing the DOOM thing, a little bit of crunch and mud in the mixing isn't always a bad thing. Let's ship this one off, this is clearly strong stuff by Treyt as the ringleader who also made really brilliant use of the contributions from the rest of the team, as well. Great work! YES

Another Silent Hill mix after few years.

well, ok then. opening is definitely a stylistic mashup. love the way you took metallica's vibe and make it work with these tracks so well. at 0:46, though, this is almost straight Metallica for like 30s straight. the melodic adaptation is indeed tenuous, especially when you consider it's two bars out of hundreds in the original (admittedly they are very recognizable bars). at least the chorus is more from the Rival track. the singing works great, it's realized well, and seph does a good job with it. i'm just not sure it's not too much metallica. the transition riff is back to the final battle riff, and then another verse (same caveats as before). the bridge works well to bring together the style and original into a better combination that's more in balance of the original. there's then 30 seconds of insane solo battle, because that's literally what the originals are about, and a bunch more instrumental sections that go through various elements of the sources. the end of the false chorus section at like 3:50 was pretty hip. the track cycles back to one more verse and chorus dyad, a quick riff, and it's done. the performances here are nuts, as expected. the three main performers are among the best in the local community at doing this kind of stuff, and it shows. there's a ton of synergy in the performance, it's intense and complex without being overly meandering or relying on tropes to make it work, and it's mixed very well by xaleph as well. the arrangement concept is also great. my concern is just that the verse's connection to the original works is essentially academic. it's tough to map the vocal lines to the original, although your timestamps make it clear once you've A/B'd it. i think what's here overall is probably distinct enough from Metallica to be ok. but this is the second really fun track from you guys that's come through recently that's been very, very close to a mainstream original. you need to be careful as you're treading a line here that we (the judges) don't want to more clearly define because of how subjective it can be. YES (borderline) edit 10/25: larry's numbers make it clearer than i originally thought that this is not 'probably too much Metallica', it's just plain too much. i didn't realize it was over a quarter of the track. sorry guys, sick track, but not for here. NO

You already know I'm in!