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🦇 Ahhhhhhh, yes. . . 'Tis the time, my children -- The Witching Hour *(GMT)! 🦇 Gather 'round!--for the Oogie Boogie Man has come to me bearing gifts on this eventful All Hallows' Eve! 🎃 It is (a)live, my darlings! The first ever 'Unofficial' An OverClocked Halloween, Volume I! 🪦 https://overclockedhalloween.boo/ 🪦 Get it now while it's *F R E S H* from the witches' brew, empowered by the fires of Hell and Brimstone!!! 😈 Have it in the background for your sordid partying affairs! Groove away the blasted day on-through till the dead of night with these wonderful tunes! I'd like to thank everyone who believed in this project: helped out, made the website, endorsed it, made their tracks for it (and placed them trustingly and lovingly into my claws to help produce and master), AND (lastly but not least-ly) those of **YOU** who're downloading the .zip folder *RIGHT NOW* and partaking of the treats (and tricks) this marvelous day! 🧡🌹 Thank you so, so much, from the bottom of my hearts (all three of them!!); have a lovely Halloween, and I look forward to spreading the spooky cheer next autumnal season, October 2026! ENJOY--and remember kids: "don't ever invite a vampire into your house, you silly [humans]. It renders you powerless!" 💀

(Bit late, but The Coop had a point.) 🦇 Ahhhhhhh, yes. . . 'Tis the time, my children -- The Witching Hour *(GMT)! 🦇 Gather 'round!--for the Oogie Boogie Man has come to me bearing gifts on this eventful All Hallows' Eve! 🎃 It is (a)live, my darlings! The first ever 'Unofficial' An OverClocked Halloween, Volume I! 🪦 https://overclockedhalloween.boo/ 🪦 Get it now while it's *F R E S H* from the witches' brew, empowered by the fires of Hell and Brimstone!!! 😈 Have it in the background for your sordid partying affairs! Groove away the blasted day on-through till the dead of night with these wonderful tunes! I'd like to thank everyone who believed in this project: helped out, made the website, endorsed it, made their tracks for it (and placed them trustingly and lovingly into my claws to help produce and master), AND (lastly but not least-ly) those of **YOU** who're downloading the .zip folder *RIGHT NOW* and partaking of the treats (and tricks) this marvelous day! 🧡🌹 Thank you so, so much, from the bottom of my hearts (all three of them!!); have a lovely Halloween, and I look forward to spreading the spooky cheer next autumnal season, October 2026! ENJOY--and remember kids: "don't ever invite a vampire into your house, you silly [humans]. It renders you powerless!" 💀

Fantastic round 1. Very impressed with what came out. Looking forward to the future rounds.

Amen. Highlight of the round for me :)

This is definitely "..oops! All Bangers" In particular shout outs to Dyluck and CW for doing what I love to do and do cheesy vocals over Mega Man Music.

Here's to the first of (hopefully) many Halloween album volumes to come! Thank you for putting the project together and sharing it with the world.

Hey all! I'm not on either team this time but wanted to stick my notes in writing somewhere: Калинка Cool proggy/post-rock opening, good vibe to start GSM4 on. Sounds like seph did a ton of overdubs. Ending is also cute and well thought-out. I Wish I Wish I can see people wishing the sources were more dominant but this is my second-favorite one for this round. Not sure who did what (I'm not familiar with Oscar/Atcero's styles) but it does a lot with a little* and I love the Satisfaction/VN-sounding portamento saws. Burning Obsession Perfect "fire stage" intro with the guitar trills and toms. Thought josh did these drums at first. Heard Queen did the mixing, sounds great. The bridge being tongue-in-cheek is really funny and Weeks' range works good for the X VA. Only real critique is that I think it could either be a little more punk/sludgy or a little more Broadway; as-is the backing track sounds almost surf rock at points splitting the difference. Vulcan's Doorstep Was expecting this to turn into full-fidelity psytrance at some point but kind of glad it didn't; JSA's writing with Xaleph's mixing/perfectionism is a great combo, reminds me of Project S-11 in some places. Specifically wrote down that the bass at 1:44 and Rocket Hideout-sounding foley at 2:08 are cool. Vile Circuitry Think this is my favorite one of the round. Seph(?)'s vocal foley at the start is funny but this one is really technically impressive. The almost djent-y rhythms and stuff in the second half help spice it up. I heard yami did the mixing - I'm not familiar with their style yet but it's a great start for mixing metal, the kicks around the 3 min mark are super aggressive. A Vile Medley Weil and Wave are both crazy sources - surprised neither team just called it Weilwave. Medley is really, really well-produced, to the point that I think it would have trounced anything from GSM3 Round 1. It's lush but not muddy. cammy's sax kicking in is comparable to Weeks' soprano coming in for Sakura Wa Karenai during GSM3. In practice this track has everything I'd want out of a jazz/funk mix, but I'm leaning slightly towards Circuitry, just because I'm familiar with seph's workflow and know he would have sunk a ton of time into doing those guitar overdubs/countermelodies for like 4 minutes straight. Hemo's debut on the keys is cool too - they're slightly too humanized imo, but a really strong opener and again, production is crazy across the board. --- Overall notes It's fun seeing the genres/production of each GSM based on who's playing. GSM2 leaned a lot more electronica, GSM3 was weirdly super consistent with longform pop/rock tracks. It was fun for 3, but I don't think 18 four- to five-minute tracks is sustainable or a normal expectation for every GSM. *The tracks being shorter but "burning brighter" for 4 gives it more room for stuff like I Wish I Wish to exist. I wouldn't really describe 4 as anything but "experimental" genre-wise so far but it'll be cool to see teams find more niches round-by-round. Also, just a suggestion for Team Mega Man - do something Splatoony! Get seph or someone to do some wobbly resonant synths and it splits the difference between the punk instrumentation and the more "aristocratic", un-filtered vocals on Burning Obsession.

We love a little Licc every now and again 😂

Still proud for contributing to that song via bell synths hehe Also I may have put... too many Lickitungs in the MIDI...

We are three days out from Halloween! I am pleased to announce that almost everyone has approved of their final tracks, and the track-list itself has been approved, and I also have the front and back covers for Vol. 1 fully done! :D Now it's time to get that website done up! ♥

This will indeed become an annual album (classic, hopefully like AOCC). :) I will do my utmost to ensure it continues long after this year. ♡ Hope you enjoy it!

Hey! Kinda weird to post a comment on my own track, but there's just a couple things I wanted to respond to from what was said by the judges. First, @Chimpazilla the fact that you assumed this was @jnWake's own arrangement was like... one of the biggest compliments I got in a long while 🥰 You are right on how the original source totally fits his style, tho, and that's why I called him for keys. Also to @Hemophiliac, you are right on that more stuff could be added after the outro and voice clips. I can totally imagine more action coming, with the initial riff along with some drum hits caving the path for a somewhat funky section and then having a solos duet between guitars and keys. I note that for a potential future versions if everyone else involved agrees (maybe just toying on my own DAW with the additional stuff and then @minusworld adding the extra parts on his own mix project). And in general, thanks all 3 judges for the nice comments! I was quite discouraged after the first rejected track because that one was too much personal in many ways, so I'll consider submitting more tracks like this that, while proud of them, aren't that important in a personal/emotional level. In fact I was already toying with the idea of submitting the track 5 from the same Phantasia tribute album, which has a very similar lineup.

I'm having the strangest sense of deja vu right now 😛

Voting Guidelines Teams were tasked with writing three mashup arrangements of two songs each, one from a Mega Man game and the other from a Mega Man Successor game. In order to make your vote, listen to the remixes and, for each pair, choose the remix that fulfills the following criteria (listed in order of importance): The remix arranges both source tunes in an interesting and identifiable way into one cohesive piece of music. The remix is well-produced within the conventions of the genre. The remix is enjoyable to listen to. Stream the remixes via Soundcloud or Download the Round 1 Remix Pack (MP3). For your reference, here are the source tunes for Round 1. Mega Man 4 vs. Mighty Gunvolt Burst Cossack Fortress 1 Joule's Wish Mega Man X4 vs. 30XX Volcano At Her Doorstep (Aspera 1) Mega Man Zero 4 vs. Gravity Circuit Fate - Theme of Weil Theme of Medley (Wave Circuit)

Didn’t do any vocals this round, them spooky noises are all foley found on Splice :)

Absolutely legendary!

WHY ARE ALL OF THESE SONGS GOOD??? I really had to hesitate and decide for a long moment for all of them...

Today's the day. I sent mine in. Did everyone else send in theirs?

JESUS FUC-! You can't just pop in here like that! You'll scare the children!

DJ Pretzel you are an amazing dude. I found OCRemix in the glorious heyday of my middle/highschool years, and I had endless fun hanging out with friends and "mining" cool new tracks that we would download and make mp3 cds from. The good old days when most of the music was techno, Hah! I am just rambling because I have been a casual explorer with no musical background for about 24 years here on the site, and wow, the love and passion of this project just oozes good vibes. One of my favorite things was DJ Pretzel's critiques. I did not have an ear for music at all, but the more I listened to his reviews/critiques/judgements and explanations of the music, I felt my own understanding and listening habits change. I began to notice little details and appreciate what the remixer was going for. As a non musician it's hard to put into words how much appreciation I have rooted in this little corner of the digital universe, even as a non contributor I have a warm feeling for this community and wish for continued success and music. Now time to go browse some old remixes from you OG admins back in the day. P.S. I am beginning my journey under a mentor to repair and play piano, so maybe one day, I will contribute to this community, or maybe my daughter when she's old enough to learn, will also be inspired by the music OCRemix has spread.

Absolutely 100% agreed with Argle that this mix NEEDED to exist. Loved every second!

woah!!!

Very fun, I started listening and right away envisioned Scarlet as the singer without knowing what track was being covered. Great stuff. 😎

If I do join, I'm thinking of doing "Another Winter" from Scott PIlgrim vs The World...

Oh, and just a note, since it was not included in neither the website or the txt inside the zip download, worth adding the credits list for my own track, because the way it's shown right now it might look like it's a solo track, and unfortunately I could never archive that level alone 😅 DeLuxDolemite - orchestral percusions (timpani, bells, taiko drums and cymbals) donut - clarinet jnWake - lead synths (organs, harpsichord, music box) minusworld - bass robshoppe - rhythm guitars Serrin's Toes - metal drums tibonev - lead guitars Unknown Pseudoartist - arrangement, programming, SFX, mix, etc I'm still planning to finnish a music video for it in my usual weird style but it'll take at least a few more days.

I'm still relatively new, but I'd like to participate.

Nice. Very nice. In fact, you might say this is **puts on sunglasses** Nice Work. However, I think this was the wrong place to put the album release thread. When AOCC albums are ready, I make a post in General Discussion. It gets more traffic overall, and it puts the album release in a more noticeable spot. Not as many people are going to look in the Recruiting forum for album releases, especially for something seasonal like AOCH (and AOCC). That said, congrats everyone on getting it done and out the proverbial door 😊

I didn't touch any Windows system since 2008-2009, when my transition to GNU/Linux and free software programs began. The times when Ubuntu was still good, basically. Of course my situation is kinda different, since I was not interested in music production back then (I barely started on this around 2020-2021, or arguably late 2022 - mid 2023 if you count only the serious attempts). So I hadn't any problem with any of the creative subjects or programs I was active in at the moment, as I had a proper replacement working for pretty much all programs I was used to before the transition, even if some of these weren't the most convenient. And regarding user interfaces and customizability and all that I couldn't be happier. Used to hard-closed and walled gardens all felt so fresh and so much like "my own system" in comparision... With music making, however, I was already hearing/reading comments online about how the situation on GNU/Linux and free software was still pretty rough and many steps away from other systems. So when I got into this (by totally accidental ways) in 2020 I expected the worst, but to my surprise all was a lot easier than expected. Surely a lot of stuff improved and lots of new programs, plugins, etc making life easier in comparision to 1 decade earlier. And nowadays I know of a few examples of musician doing great stuff using exclusively free software and on GNU/Linux systems. The guitarist Daniel Bautista is a good example, if anyone knows him or is curious to check. Although totally experimental and bizarre stuff I wouldn't recomend to everyone, the avant-garde band Sebkha-Chott is another curious example that also relies purely on free software for their live shows and other related stuff. So definitively things can be done, and not even needing the privative DAWs everyone is used to. And still with Reaper having its own native version and Wine working pretty well to open Windows programs, Jack as low latency sound server, etc... probably easy to do stuff without even needing to migrate regarding your favorite DAW. It's weird, as a person who was long fleeing away from the many problems of Microsoft and other "big tech" companies, to see so many people joining such campaigns precisely now, but kinda optimistic about that. Hopefully will see similar steps happening regarding the situation with Youtube and the move to free and federated alternatives instead (already started prioritizing on Peertube myself).

Huh, WinBoat looks pretty slick. It does seem to be a full (partial?) Windows install running in a VM, with all the pros and cons of that. I wonder how on earth they manage licensing... For those of us for whom installing MS software is a complete no-go, there are some alternatives to Windows-in-a-VM, and here in the year of our lord 2025 things run surprisingly smoothly. Might be worth trying out these solutions first. Everything is based on WINE, of course, which is a Windows API emulation layer. You can use WINE by itself like a neanderthal, but it's much easier with a nice frontend. I haven't tried it myself, but I've heard good things about Bottles https://usebottles.com/ For games, the name of the game is proton, which is WINE + a DirectX translation layer. Again you can roll your own, but here you have a choice of a few frontends. If you're playing Steam games, just install Steam. Steam is Linux native and just works and so do 99% of games. By default Steam will only let you launch games that are "verified", but if you go to Settings -> Compatibility there is an option to enable Steam Play (what Valve has branded proton) for all titles. For some games you may or may not want to fiddle with running different the game with different versions of proton, but that is a game-specific setting. For non-steam games, first of all you can just add them as a Steam shortcut and run them that way. Works pretty great with things that are just distributed as a .exe inside a folder (I use it for Sonic fangames). But also, GoG, Epic, and Amazon storefronts have a frontend call Heroic Launcher which works incredibly well. It's how I played Baldur's Gate 3 and Witcher 3, both of which I have on GoG. There's also a miscellaneous game launcher called Lutris, but I haven't had much luck getting it to run anything successfully. In a certain sense that can never happen and in a certain sense it already has. We have to get our terminology straight a little. "Linux" the way we've been using it in this conversation is shorthand for a big glob of software, only one part is technically actually called "Linux". "Linux" is just the kernel of the OS, the very low-level part that talks to the hardware directly and provides APIs for applications to use computer resources (among other more technical duties like process scheduling and memory allocation). The rest of the OS is usually called "userland". Android is Linux in that it uses the Linux kernel, but the userland on top of Android is increasingly under Google's draconian control. They just announced new shenanigans about sideloading set to take place next year that people are actively protesting https://keepandroidopen.org/ In that sense, large companies have already taken over and displaced open-source software. Desktop Linux (what Stallman wants everyone to call GNU/Linux but that's also kind of not technically correct anymore) though has proven more resilient. Large corporations have tried shenanigans with desktop Linux, but every time they do, someone comes out of the woodwork and creates a new Linux distro without said shenanigans. A sort of "my own Linux, with blackjack and hookers" sort of strategy. The biggest threat to desktop Linux isn't so much corporate software meddling, but corporate hardware meddling. Microsoft continues to try to make Linux more and more difficult to install on your own hardware with "features" like Secure Boot. I worry that the almost-assuredly-impending mass migration to ARM-based PCs will be the opportunity that MS seizes to really lock down the hardware and make it impossible to install a non-Windows OS. (Even then there are companies like Raspberry Pi and Framework that will keep the torch going, but I worry that's not a self-sustaining ecosystem...)

Man, it took me a long time to finally break away from Windows. Coming from a graphic design background, I was deep in Adobe’s ecosystem, so it wasn’t easy to let go. I eventually gave up on Windows 10 when support was ending — I was just completely fed up with the whole experience. I decided to try Ubuntu, which sent me down the rabbit hole of hopping from distro to distro until I finally landed on Debian 12. Since I’m on a budget, I’ve always used older, inexpensive hardware — stuff that often had no real support on Windows. But on Debian? Everything just worked! Sure, a few things needed extra drivers, but the community support for aging hardware was incredible. It’s honestly a beautiful thing. Plus, not having to support a mega-corporation that’s pushing spyware into its latest version feels even better. Finding a new DAW was the real struggle. I came from FL Studio and was slowly transitioning to Ableton, so switching to Linux was pretty jarring. At first, all I could find were Reaper, Ardour, and LMMS — none of which really clicked with me. I just wanted something that felt like Ableton, with an attractive, intuitive interface that was easy to navigate. After a while, I stumbled upon Bitwig Studio. One of the main reasons I chose it is because it runs on Windows, macOS, and Linux, so I’m not locked into a single operating system. I often see people say they can’t switch OSs because their DAWs, VSTs, and other tools are tied to one platform — and I totally get that. But for me, I want the freedom to go wherever I want. VSTs are still the one area I haven’t fully figured out yet, but for now I’m using CLAP plugins and plan to explore Winboat for running VSTs in the future. Other than that, I’m really glad I finally made the switch to Linux. It took some time to learn, but with the help of ChatGPT and the online community, the transition was so much smoother. Sidenote, this was the video that convinced me to make the switch.

Hi everyone! We're nearly there, folks! Today I'll be sending everyone the version of their track that's to be on the album, after any mastering/clean-up/balancing I've done to them! This is to ensure artists are 100% happy with the final product, before I send a zipped file of the tracks to my website team to get them up and on there in time for the 31st of Oct! Be on the lookout for my DMs/PMs either through Discord or on the forums soon! ♥ Can't wait to show people how cool they all sound! \o/

YUP I DID!!! VODOU LIKED IT :D

Love this remix, I never played pictionary, but I do remember some of those "game show" style NES games, and I mostly hated them! This title screen song, however, is a different story. It's just a vibe, I can't help but be propelled to a jazzy, funky elevator in the 80s, it's where the real party is. Or something. I was only 3 years old when the 80s ended, but I imagine an elevator party with all kinds of crazy stuff going on would be COOL. Alright I need to stop leaving my 2 cents when I'm zombie mode tired. Great remix!

Happy to see this on the front page!

Epic Idk how this all works I just made my account

Agreed with the others on more sophisticated production being a nice-to-have while also appreciating the interpretive arrangement and creative layering/texturing. The faux geetar sample at 1:23 deserved more humanization and heft, but we'll live. Referencing just supporting writing from the source from :15-:28 & 1:09-1:37 was a subtle but cool touch. Solid piece of business, Seth! YES

took a second to grok what was going on, but there's some really fun stuff going on in that intro. the beat is really fun too, i liked the detuned hat drop effect. lead is unfortunately pretty basic - even a little lfo over time to the sustain tone would have helped. i like the backing blurbs more. there's a break at 0:56 for a bit, and we get some gliding stuff as a neat palate cleanser for a short while before the synth/eguitar comes in at 1:24 as the lead for a short solo. there's a recap of the melodic material before a much more intense B section at 1:51. i really liked the idea here and wish it was more involved. one lil jon sample later, we're in a riding pattern that fades out to end it. i wouldn't have minded the bass there being a touch quieter. this is a neat idea! i think the leads are really boring but i love the concept beyond that. i think this would have been a favorite of a lot of folks in, like 2004-2006. i think this is pretty borderline myself, but probably would lean on the side of good enough due to the fun arrangement and really interesting beat work. i can definitely see the leads pulling down for other Js though and would focus on that if this doesn't make it. YES

LOL

Really cool take on one of my favourite SMRPG songs! I'm always a sucker for songs built from one weird time signature. :D Referring the the review that talks about the original's sparse melodic ideas to choose from, interestingly the remake version has a bit more to work with (mostly an extra supplemental piano part), but this probably would have turned out a bit differently if that version was used as a base instead. I don't really listen to electronic styles of music very much, but I really appreciate the production choices on this! Especially the haunting voice somewhere in the middle.

Love it! Very energetic, dynamic, and soundtrack-y. I could 100% see this being the score of an FF9 movie. I think it would be fine with a touch less reverb, but I almost always think orchestral tracks have too much reverb.

The People's Remix Competition 352 PRCv14-14 Hello everyone and Welcome to the People's Remix Competition! Welcome to round 352 of PRC. OneUp, the person who has won the most PRC's of everyone managed to get another win, leaving Trism behind with the last place wooden spoon. Since OneUp already picked 22 sources before he was out of ideas so he decided to look in the request forum to find a source. Source: Warsong - Player Phase 1 (GEN) MIDI Source Information ThaSauce link: Click here to submit This selection is based on the following request: To submit a song at the compo page you can use the ThaSauce page. If you use this, an account is required. If you don't want to use ThaSauce, please upload the song somewhere else and post a download link in this thread. I recommend Soundcloud, don't forget to allow downloads to enable me to upload the song at ThaSauce. I will keep using ThaSauce as the place where all songs are located. If you want to use ThaSauce, the following steps should be done. Click the ThaSauce Link. Click the 'You are not logged in' button in the upper right. Click on 'register' (at the bottom). Read the terms and click 'I agree to these terms'. If you don't agree with them, upload the song somewhere else and post a download link as mentioned above (by doing that, you allow me to upload the song at ThaSauce. Continue the process by filling in your information. You will get a question to confirm that you're not a robot. Here are some possible answers: Name a compo: PRC Who organizes One Hour Compo: Starla Name a ThaSauce subdomain: compo.thasauce.net Who created Mega Mans: Capcom A confirmation mail will be send. There might be some issues with it (meaning that you don't get it), if that is the case, upload the song somewhere else as described above. Once registered, login with your username and password, go to the mentioned page and submit the song. If you want submit two or more songs you can create multiple ThaSauce accounts or upload the song somewhere else and post the download link. After uploading your song, please check if your song plays and can be downloaded and played without problems. Only upload MP3 files. PRC instructions The deadline is Wednesday July 19th 2017 at 10:59 pm ThaSauce time (18:00 UTC, 19:00 GMT), check the ThaSauce page for the exact time left. Make sure that the song is uploaded to ThaSauce or that there’s a download link posted in this thread. Note that this is one week longer as usual. I'll be on vacation between 9 and 24 July so I don't know if I'm able to check the status of the round. If no songs are submitted, there will be a five day extension (new deadline will be Monday July 24th). I might not be able to edit it on ThaSauce so please post a song in this thread with a download link in that case. If one song is submitted, that song is the winner (even if it's a bonus). If two or more songs are submitted voting starts as planned. If there are only multiple bonus mixes started, there will be a voting stage, or the mixers may decide who gets to pick a source. PRC353 will start directly after the end of the remixing stage of this round (on July 19th). This is even the case when PRC352 has an extension. I'll schedule this round on ThaSauce already and I will also open an Ocremix thread at the end of this week (without revealing the source already). You may enter as many mixes as you like and work with as many people as you like on each mix. You are free to create a second ThaSauce account for that if you use ThaSauce, it's needed to be able to upload a second remix if you use ThaSauce. Of course you can also upload it somewhere else and put a download link in this thread. Do not make qualitative comments on an entry until the results of the vote have been posted in this thread. Mixers cannot vote for themselves but if they vote they receive a free first place vote added onto their score. The winner of this round may select the source for PRC354. The winner of PRC350, OneUp, can only participate by submitting a Bonus Mix. His vote is doubled in the voting stage. This time, @Estrang will also have a double vote since Estrang made the request. You can find the full rules list at this page as well. Note that the rules for deadlines and extensions are a bit different this time. GOOD LUCK! PRC ThaSauce Home Page!

Fun* fact: The whole time I was working on mixing my submission I had a terrible head cold that clogged up my ears and made everything sound muffled. Listening to my submission again now, the mix sounds pretty bad I put a lot of work into my track, though, probably more than I have for any other track I've made so far, and I wonder if it might be up to OCR's standards. I cleaned up the mix and made a couple of minor tweaks to the song itself, and I'm looking for comments in the Post Your Remixes forum, if anyone is interested: Another fun fact: This is my first piece of work to contain homemade samples! *Not actually fun for me

Results time. RonaldPoe got 3 points, but still gets the last place wooden spoon. Shid0 got 1 point, but he voted himself up to 4 points and fourth place. Supercoolmike collected 6 points and gets third place. PlanarianHugger managed to get 9 points, enough for a second place. And the winner is Dex with 11 points. Dex congratulations. Another win for you, you may choose the source for PRC354. Send the source to me (with a MID/MP3 file, otherwise send a second source with a MID file) by PM, other options are PM me @ ThaSauce or by e-mailing to bambombim@gmail.com (I prefer a PM @Ocremix). Send your source as fast as you can, but before next Monday (31 July), 10:59 AM ThaSauce time (18:00 UTC, 19:00 GMT). You may select any source for any game, but not a source with an OverClocked remix or a source which has been used in PRC before. An overview of the past PRC's can be found in the following links: http://sites.google.com/site/bambombim/prc http://bambombim.googlepages.com/PRCRemixList.doc (also downloadable via the link above). Check the ThaSauce Page for the results and votes. Next round is already up and ends this sunday (July 30th) http://ocremix.org/community/topic/46001-prc353-a-tale-of-a-remix-vagrant-story/

@Bundeslang Now that all the entries are up at thasauce I went ahead and submitted my vote there as well.

@Estrang your requested remixes are available! Nice to see some good representation on this one. Due to the late submissions I guess we vote by messaging Bundeslang.

Sorry 'im quite late, didn't have much time to work on this piece and I wish I had more, but i joined late so... Anyway here's my version: https://www.mediafire.com/?xclib3rwxydpstm

My submission is in!

I want to start entering these again in the near future. Gotta get refamiliar with music stuff in general though, it's been years

Hmm... I'll give it a shot.