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I'm in this year. I now have an office job that gives me a buttload of free time to work on projects. BTW finally got a ReMix accepted

Yeah, definitely. )) And I found another really interesting Lufia 2 remix by Mystwalker, which I also added to the remix list in my main post (right after the three battle theme remixes). Check out the Triumph remix: Really impressive what a driving and energetic remix he has composed out of the little fanfare theme from Lufia 2. Kinda love the electric guitar passages after minute 1:33. ... There are also two more modern Lufia 2 remixes by him, but the themes don't really appeal to me that much – just in case you still want to hear them: - Lufia 2 - Cave Remix >>> https://www.youtube.com/watch?v=yCfsnPX6YQ8 - Lufia 2 - Labyrinth Remix >>> https://www.youtube.com/watch?v=lfU99NdOD2o

HAPPY SILKSONG DAY! OC ReMix and DaMonz present A Knight (for a Knight)! September 4, 2025 Contact: press@ocremix.org ATLANTA, GA... OC ReMix is proud to present DaMonz's A Knight (for a Knight), Canadian game developer & composer Emery Monzerol's earnest tribute to the celebrated indie platformer Hollow Knight, released in celebration of today's launch of long-awaited sequel game Hollow Knight: Silksong, scored by Australian composer Christopher Larkin. A Knight (for a Knight) features four mellow, lo-fi-inspired arrangements of music from the original Hollow Knight. The EP also features cello performances by Monzerol's mother Christine Giguère, making the EP a family collaboration. The visual artwork was created by Annie Doyon, creator of the album art for 2017's Mirror Image: A Link to the Past Remixed. A Knight (for a Knight) is available for free download at https://knight.ocremix.org. "Hollow Knight holds a very special place in my heart, because playing that game was a very crucial moment in my recovery from pretty severe depression," shared album director DaMonz. "Working in a big game company had been siphoning out my passion for a while, and Hollow Knight was the game that reminded me why I was doing what I was doing. I will forever be grateful to Team Cherry for essentially saving my life! A Knight (for a Knight) was produced to help promote video game music, was made by fans, for fans, and is not affiliated with or endorsed by Team Cherry; all images, characters, and original compositions are copyright their respective owners. "This whole project initially started as just a single short lo-fi-ish remix just to mess around a few years ago," Monzerol noted. "Just as it so often does, it spiraled almost out of control in the classic loop of "just a little more", until it became the 4-track EP that it is now! A Knight (for a Knight) is DaMonz' sixth OC ReMix album in a director role. The EP's tribute to Hollow Knight, now makes the hit indie game the most recently released game represented by an OCR arrangement album. Also released under DaMonz' leadership were OC ReMix community albums Songs of the Sirens: Link's Awakening Remixed, Hometown Heroes: Town Themes Arranged, Mirror Image: A Link to the Past Remixed, Super Mario RPG: Window to the Stars, and an arrangement album for his Shuttle Rush indie game soundtrack entitled Shuttle Remix. About OverClocked ReMix Founded in 1999, OverClocked ReMix is an organization dedicated to the appreciation and promotion of video game music as an art form. Its primary focus is ocremix.org, a website featuring thousands of free fan arrangements, information on game music and composers, resources for aspiring artists, and a thriving community of video game music fans. OC ReMix operates under the umbrella and sponsorship of Game Music Initiative, Inc, a 501c3 non-profit charitable organization (EIN: 81-4140676). ### Download it: https://knight.ocremix.org Torrent: https://bt.ocremix.org/downloads/A_Knight_(for_a_Knight).torrent Comments/Reviews: https://ocremix.org/community/topic/61206/

Pretty passionate and energetic stuff. Have a listen and enjoy the little gems, guys: Lufia 2 - Battle #1 (Standard Battle Theme) Remix -------------------------------------------------------------------------------------- Lufia 2 - Battle #2 (Boss Battle Theme) Remix ------------------------------------------------------------------------------ Lufia 2 - Battle #3 (Sinistral Battle Theme) Remix ------------------------------------------------------------------------------------ Lufia 2 - Triumph Remix ----------------------------------------- Lufia 2 - The Earth Remix ------------------------------------------- Lufia 2 - The Prophet Remix ----------------------------------------------- Lufia 2 - Peace Of Mind (Song Of Love) Remix -------------------------------------------------------------------------------- ... The remixer's name is Mystwalker. Maybe I'll ask him later if he wants to take part in OCR. ))

This is hilarious and super fun. I could imagine Diddy and Dixie sneaking onto this ride while trying to get to the other side of Kremland only to be equally amused and horrified by a kremling rendition of small world. Very well done with all the singers together and the performances with the pre and post ride announcers. Great idea, great execution, fantastic ReMix.

Download A Knight (for a Knight): https://knight.ocremix.org Full album on YouTube: https://youtube.com/watch?v=Hzwog2S6PVA&list=PLWk40K1PeZwEWrulLOA2Ms4wbX099KeCx&index=1 Torrent: https://knight.ocremix.org/downloads/A_Knight_(for_a_Knight).torrent This whole project initially started as just a single short lo-fi-ish remix just to mess around, about two years ago I think. And just as it so often does, it spiraled almost out of control in the classic loop of "just a little more", until it became the 4-track EP that it is now! Hollow Knight holds a very special place in my heart, because playing that game was a very crucial moment in my recovery from pretty severe depression. Working in a big game company had been siphoning out my passion for a while, and Hollow Knight was the game that reminded me why I was doing what I was doing. I will forever be grateful to Team Cherry for essentially saving my life! Now, enough with the heavy stuff. - DaMonz

Hey all! Someone on my YT said it would be cool to make some Shadowrun remixing. I'm working on just that and I just finished this one. I had forgotten all about this game TBH, a shame since I always loved it. Posting here before YT! Hope someone enjoys.

Snowboard Kids Redial 2025-09-06 2029.mp3 Snowboard Kids "Board Shop" harmony with Bomberman Hero's "Redial" melody, except for Redial's B section which is included. Original rhythms. They are both extremely similar harmonically, but if you listen closely, you'll see the harmony is in fact leaning heavily on the Snowboard Kids side. Arrangement is not complete but this is the general idea I'm going for with this. EDIT: Had the cool idea to do some solo trading between piano, electric piano and drums, but with drum samples of course and repitched. Pretty cool sound. Introduces some jazz tradition into this modern jungle style. EDIT AGAIN: I took the reverb out to test listening to it without reverb. I feel like this particular style may benefit from being completely clean with no reverb, so it sounds as tight as possible. Let me know what you think. I made the ending section be the same as the first part, this time up a whole step. Freshly recorded, not copy and paste. A drum fill takes us to a final weird chord. The only question I have is, should I add the Redial B section at the end? Or it's fine as is? Maybe I could add that section and then just take it back to the ending... I might do that. Also need to go through and make sure bass and chords are well humanized, though they're pretty much there right now. Sources:

Hola, name's Mystwalker. I've known OCRemix for a long time, had people tell me I should join since around 2011 maybe? But never quite joined until now (big thanks to @Master Mi for giving me the final nudge to join). Mostly due to my imposter syndrome + being a dumb kid. Here is a little bit about me I guess, I'm not great at this stuff but here it goes: I'm a self-taught composer, keyboardist and percussionist. Started my music journey in 2009. My Messy Music Journey: 2009: Uploaded my first "remix" – PSX RPG Maker's "Home 3" with... let's call it "aggressive soundfont reskinning." 🤡 The Dark Ages: Churned out many such "reskinned bangers" (heavy sarcasm intended). Hey, we all start somewhere! Evolution: Gradually leveled up to actual arrangements + originals. Kept everything public – the good, the bad, the cringe. My YouTube's basically a 218-video journal of my musical growth. 2022 Hiatus: Vanished to practice like a hermit. Did commissions, released some commercial stuff. Came back recently to revive the channel with slightly less terrible skills! Been obsessed with VGM since I was a kid – 8-bit and 16-bit soundtracks are the lifeblood of everything I create (even if it does not sound like it). I remember recording video game music from the TV speakers into cassette tapes because I loved it so much and then going out with my Walkman of shitty VGM recordings thinking I was the coolest. lol tools of the trade: Include but not limited to - FL Studio, Kontakt libraries like Shreddage (both drums and guitar), Damage 2, Orange Tree Samples' guitars, Omnisphere, Sylenth, Serum, Engine 2 libraries, KORG VSTis, Roland VSTis, Arturia synths VSTis, many others all but those are the most regular use. But yeah not sure what else to say - I'm terrible at introductions, but must say I am loving the place and it feels just like the golden years of internet forums! Something I used to indulge in a good bit! TL;DR: Long-time Self-taught composer / remixer | FL Studio addict | Terrible at intros. Cheers everyone. 🍻

it's been a while yeah? Hope y'like.

Thanks so much for the shares and inviting me to join!

I may or may not have unfinished horror music projects to cook until at least medium well. I'm definitely interested, though!

Will try to come up with something again this year, always happy to see this thread :)

Helloooo I recently moved back to my beloved tropical hometown and decided to celebrate by making an EP of quirky, sunny tracks. The work is vaguely inspired by the Mario Kart DS OST, so expect some soundfonts and retro-sounding synths. Enjoy! LINK: https://banana-trash.bandcamp.com/album/go-go-kart-ganbareeeee Cover art was done by Tex! www.youtube.com/@oOTxaiOo soundcloud.com/textunages

Chimpazilla said they thought it had TSO-vibes, which I totally get, but I hear a lot of late 80s/early 90s Danny Elfman on my end. Besides being a behemoth of collaboration, this is just a great remix! Love how it grows and becomes a real monster of a track. Also, starting it with Aerith's theme getting distorted into OWA is just mean : ) Off topic, I find it very interesting that this site isn't growing in OWA remixes. It took 4 years for Trenthian's strange "Sector 7 Hath Wrought the Angel" to arrive on the scene and 3 years after that for the slightly (only slightly!) more traditional "Black Wing Metamorphosis" to hit OCR, and that was with an album drop. (Side note, I also hear Elfman influences in "Black Wing Metamorphosis" so maybe there's something inherent to the original?) Not that I'm complaining about OWA representation, I just find it interesting that one of the most recognizable video game tracks ever has 5 standalone remixes, 7 if you include the the ones with other sources in them. I'm not the most musically-technical person around, so I assume that the original is a lot more intimidating to tackle than something like Terra or Aquatic Ambience? Considering how many contributors are on this one remix and "Black Wing Metamorphosis", I'm not really surprised that it only gets remixed every 3 years or so. What a beast!

Thank you! ♡ :D Yeah, it's a bit nutty and chaotic, (as the Judge eval hinted at,) but I did my best to put a unique spin on such an iconic track. ^_^ Hopefully, in a positive way! Very much was a learning experience, and very much could have done better mixing / curtailed some overwhelming parts of the piece, but I do hope the ride was enjoyable and thought-provoking. Also, curious as to who or what 'Redg' is. x'D

Quirky for sure, never thought I'd hear Dragon Roost Island this way. Reminds me of Redg.

Almost done with my track. Question. How much mastering do you want done on it before I send it? What db do you want? Thanks:)

I love the sound and structure of this!

I've posted some HL-related stuff in the Discord a few times and had one (unsuccessful, because it was too cover-like!) remix submitted from the games, and there's really not any good representation of the Half-Life series on here. The games aren't super well-known for their music specifically since Kelly Bailey used a lot of sampling in the original, but they do have a few random bangers here and there. Attached is my remix (for feedback), and the video below is what the original sounds like. The original song is quite short and doesn't provide a whole lot to work with, but I tried to go with a sort of jazzy/deep-house-esque sound, with a breakbeat underlayment invoking the feel of bands like fox capture plan. triage_at_dawn.mp3

That's too kind! Means a lot to hear that! For some reason I have always found it difficult to stick to a genre! Probably because being a big video game music lover, must have wired me that way. Video games are the motherlode of mixed music genres after all! All the tracks you recommended ("Flute of Sleepwalk," "The Abysmal Depths," etc.) sound amazing – I’ll tackle as many as time allows for sure. I also would like to thank you for taking the time to not only share my stuff around, but also to write that great tour guide of the site! It is great to have a focused summary of the site, and to learn how stuff works around here. Really appreciate you taking the time! I will definitely share my stuff. I'm thinking it would be great to have feedback from people who love video game music. Dude, for real? I had no idea he was the CEO of Impact Soundworks. And not only I do use Shreddage, but this remix was always one of my favorites and was big inspiration for my own. That's awesome. you've done awesomely at that for sure, and I feel wholly welcome already. c: Keep at it, even when it seems difficult; as music can be! Cheers, man! 🍻

You're radically welcome, @MystWalker! )) Your Lufia 2 remixes are absolutely dope - didn't took me long to realize that you are a really talented and ambitious composer. You also seem to be quite flexible in your style and music genre rather than limiting yourself too much in such matters (which is great in terms of future musical development potential). I hope that you will make more Lufia 2 remixes in the near (or distant) future, especially some remixes for the original soundtracks I mentioned on YouTube - just to revisit the original themes I already recommended to ya: - "Flute of Sleepwalk" (mystical theme) >>> https://www.youtube.com/watch?v=G6JgflZYy6k - "The Abysmal Depths of the Ocean" (mystical theme) >>> https://www.youtube.com/watch?v=UJU83RQZfOM - "The Lost World" (mystical theme) >>> https://www.youtube.com/watch?v=Fk3omXPfuVM - "Final Battle" (heroic/energetic theme) >>> https://www.youtube.com/watch?v=-Fzm2O4Zt-k - "To the Future" (emotional/sad and happy theme) >>> https://www.youtube.com/watch?v=f5zoFZq3Frw But I'm not here to shit ya you with work right away. ^^ I rather wanted to point out a few things to you in the OC Remix forum, which you may have already taken a quick look at - things like these: 1) Perhaps it's best to start by creating your profile so that others can see what you're generally interested in, which DAW you use for composing, what additional software instruments and plugins you use, or what instruments and musical skills you have mastered or are currently learning. ... 2) There is also a thread for newcomers where you can introduce yourself: https://ocremix.org/community/topic/7744-the-newbie-introduction-thread-come-on-in-and-say-hello/ For example, I would be interested to know how long you have been making music and writing remixes, or what you want to achieve musically in the future - your musical dreams, so to speak (if you have something specific in mind). ... 3) Before you submit your first remix, make sure to read the submission rules: https://ocremix.org/info/Content_Policy And then you can basically submit your first remix to the forum right away using this link: https://ocremix.org/community/submissions/ ... 4) You can also just share your own video game remixes (without submitting it to the judges - if you want to get some feedback before) in the thread "Post Your Video Game Remixes!": https://ocremix.org/community/forum/12-post-your-game-remixes/ You can share your own original compositions in the thread "Post Your Original Music!": https://ocremix.org/community/forum/15-post-your-original-music/ ... 5) You can also ask questions or start threads and discussions in the specific sections of the forum. ... Guess that's pretty much everything you need to know to get started, and I'll leave the rest of the journey of discovery in the OC Remix Forum to your own curiosity. )) I hope you'll submit one of your fiery Lufia remixes sometime soon. The listeners at OC Remix and all fans of video game music are guaranteed to go wild for it, and I would definitely submit the awesome Battle #1 remix as a starting point and first musical milestone at OC Remix. As far as my taste is concerned, over the years I've only found one really cool Lufia 2 remix on OC Remix. It was composed by Zircon, one of the early leading members of OC Remix: or (if you want to use the direct OC Remix YouTube link): https://www.youtube.com/watch?v=rYZ5suUrN38 I'm not sure how active he still is on the forum these days. But I think he's pretty busy as a developer of VST instruments (Zircon is the CEO of Impact Soundworks and has developed famous VSTis such as Shreddage, which you apparently also use), creating video games and composing his own soundtracks from time to time. I'm just an advanced beginner on my own musical journey, but I hope I've been able to give you at least a little introduction to OC Remix. Have fun, dude. ))

Hell, yeah. 🤘 I know. Got a really good taste when it comes to radically awesome, rare and hard-to-find video game music remixes. *heroic victory fanfare playin'* But I'm just the joyful messenger here - a messenger with the happy-go-lucky golden retriever vibes full of serious excitement, eagerly looking forward to upgrading my large MP3 player and soundtrack collection with a few more killer tracks. The legendary genius and composer behind this Lufia 2 remix masterpieces ist just one comment above yours - yep, the dude with the kinda naughty-looking hentai girl profile picture. ... I will also write back to you in a few days, Mystwalker. Just have to beat a few more rounds against Chaos in my own world like a Warrior of Light (or rather like some sort of a forced hobby paperboy in the secretary office edition). ))

I'm still waiting for the next ...fuck, what was that... Minisonic comic?

IMC Archive on DropBox This is the whole archive i have available, but if anything is missing i can search around and see if i can find it. I found my Turtle Mix, it's not really worth it. Mae's is still at large! If anyone wants anything removed, let me know. It is currently in the most complete state that i have available, and that includes WIPs, and fractions that were uploaded and broke. My email address should be available, but if it isn't, DM me and i'll be happy to press the delete key. Some folks hate their wips, some folks don't care, and some folks didn't label anything, so it doesn't matter! Some of the IMCs have results pages, but after a while they seem to fade out, and i probably got lazy. I know the judges were really not as into it as we should've been toward the end, and i was one. I apologize! But also, from the bottom of my heart, i love all you guys, and your work to kick out songs i asked for, and judged without any credentials or skills. You're all first place. <3

I love your choice of sounds, I’m also interested in knowing what VSTs you use since I’ve been experimenting with electronic music.

Nice, love the contrary motion in the bass and melody... what orchestral library(ies) is this?

Oh man, this was a blast to write for sure! I think I spent the leisurely year to write this, actually. I definitely had to take my time to get the treble mixing just right amongst all the aux percussion, the "electrical" bass, and electric bass all potentially competing!

Yeah I will make a new link and catch-up on this / people's PMs very soon! I sincerely apologize for the delays on my part -- been fuckin' hectic and exponentially crazy trying to catch up with my album projects in-between falling ill (or, apparently, fucking up my knee) as I'm doing so. 😅😓 But this is still on-going! ...I'll need to start my own AOCH tracks very soon, too. D:

@The Vodoú Queen Count me in for this, have a WIP based on Infuscomus from the 1997 game Blood. Also the Discord link seems to be expired, any chance you can make a new one?

I'm on the side of the ninjas!

Thanks so much! Yeah to be honest I'm actually already planning to do a Xeno Cross follow up, but first, Mana! XD

obsessed with this mix! the small world chorus is the icing on the cake. Grunt's artistic voice is so strong and it amazes me how cohesive it is between his visual art, his games and of course his music. long live transfatylvania!

I'll endeavour to throw my hat into the ring this year. :)

I'm 100% in! The only question is, what source am I going to do. I have a couple of ideas.

mo.oorgan and 6 minutes, insert "Ah shit here we go again" meme but on a positive note. Anyway, we begin with some pad/SFX with "cave vibes". Actual track starts at 0:29 with a crystal-ish synth doing a slightly modified version of the source's melody. Electronic percussion sneaks in slowly and around 1:00 it turns into dnb/edm (not an expert on electronic genre names!). I'm not too sold on the lows, seems quite busy around 50-60 Hz and quite draining on the ears even. Source stays but on a minor role during this section, with some source melodies playing every few bars. We keep on a similar vibe until a cool "regular" percussion fill around 2:25 that moves us into the second source melody. I found it a bit odd that the "regular" percussion only did a fill to then disappear but I guess it's fine. Around 3:00 there's a very atmospheric break with a soft pad and a lead. 3:25 sees the return of source melodies while still keeping the same atmospheric vibe. There's an electronic percussion fill and around 4:00 we return to dnb/edm, clearly featuring the source once again. There's a prominent tom on the beat that I don't enjoy much, it sticks out a ton and plays on every single measure. We continue on the same vibe as the track progresses, with source melodies coming from a pretty piano around the 5 minute mark. At 6:00 there's a small break and then the track ends with a standard electronic fill. On arrangement this is good, definitely a lot more subdued than what I expect from mo. It's a nice and chill electronic journey, keeping mostly the same vibe for the whole duration, but there's also enough breaks and variations to keep it fresh. I think it could have easily worked as a 3 minute track but I don't mind it being 6 minutes. It's a great track to have in the background. Larry timed the source usage above so we're clear on that but I didn't have any doubts about it being enough myself, as most sections clearly feature the source and the only ones that don't are the intro SFX, the 3:00 break and the ending. Production is, as usual, stellar. I'm not a big fan of the 50-60 range on this mix but I got used to it while listening to the entire track and it's nowhere close to being a dealbreaker. Most of the samples used here sound excellent and there's a lot of cool sound design effects and transitions. Overall, a nice chill jouirney with great production and enough variety to sustain the 6 and a half minutes. YES

When are we getting to the theme, I say to myself, with this extended ambient build. Excellent, there we are at :29, and some impressive sound design to boot. Beats fade in after :50 and this just goes into the weird shit category with some funky beats, belltones for the melody, and lots of SFX mockery. 3:26 gets back into the source tune's chorus section. Nice lil' pointillist approach to the theme at 4:03, and a simple but effective adding of some thump beats at 4:31. Theme drops out at 5:00 and it's original beats with some quiet inclusion of the melody and chorus layered in. The track was 6:34-long, so I needed to identify source usage for at least 197 seconds to consider the source usage dominant in the arrangement. :29.5-59.75, 1:05.5-1:08.25, 1:13.5-1:15.25, 1:20.5-1:24.5, 1:28.5-1:32.5, 1:35.75-1:39.25, 1:43.25-1:55.5, 2:01-2:02.75, 2:05.5-2:09.5, 2:12.5-2:19.75, 2:27.75-2:56.75, 3:26.25-3:54, 4:03.5-5:05, 5:08.5-5:12.5, 5:17-6:00 236.75 seconds or 60.08% overt source usage I was just sanity-checking it for source usage since this has some longer gaps between the melodic notes in places, but just going off the feel, I wasn't expecting it would be a close call. Trust but verify. Awash with creativity. A sound design delight and a dynamic piece of business. :-) YES

Hallo hallo, another "long time listener, first time caller" for the list A long time fan of VGM; Vinyl & CD collector, obsessive fan-music listener, occasional VGM remixer with my partner. I was finally able to make it to MAGfest this year (I come from far off Europe, and it only cost.... Ye gods, over a thousand buckaroos!) where I met so many amazing friends, and even more amazing strangers, and had so many amazing conversations with 'my people', where I had a sort of, 'wait, I'm not alone, thousands of people are just like me!' moment. Especially it was great to hang out with the ever wonderful KyleJCrb, who I went to the con with, and spent a lot of the weekend with (and crashed the room of many times) - I was planning to check out the OCR panel regardless, but as he was one of the speakers, I made extra sure to clear my con schedule - and as I sat there at the panel, I wondered suddenly why I was lurking, because I felt like I would very much like to be a present part of all of this. I spent a while after I arrived home observing the site much more closely, asking around interestedly to my friends of their own VGM projects, then I decided to poke my head in for real. So... Er... Hello!

Hello!!! Although I'm quite unfamiliar with this place, it is nice to meet people who enjoy remixing VGMs and OSTs! Although I usually make original tracks, I also make remixes. I met this place a few days ago, and I forgot introduce myself. I hope all is well!

Hi, I've been listening since 2003-ish, lurking since 2006-ish, and am re-vitalized to start getting involved by my most recent Magfest trip. Hope to do some things, make some happies.

track 2 of my album "the microphone is 3 electric guitars". In this album, I record a piano using 3 electric guitars as a microphone. It's called "the microphone is 3 electric guitars" because the microphone is 3 electric guitars.

Hello, everyone! I've been making electronic music in Garageband since high school and discovered OCR a couple years after I started. As a lifelong lover of video game music, I thought it would be neat to have something of mine accepted on the site, and I started working on a remix that I intended to submit, but I never ended up finishing it and it wasn't that great anyway. However, I randomly remembered OCR yesterday and (rather impulsively) created an account and submitted a remix I made well over a year ago. I'm looking forward to getting involved here, and this might just be the push I need to start seriously creating music again and maybe finally take the plunge and upgrade from Garageband.

Hey folks, I've been making music for a long time, but in these past 4 years or so, I've been mostly uploading to my youtube channel ( https://www.youtube.com/hitrisonmusic ). Mostly an old-ish punk and noise guy, but I like making ambient/electronic stuff, too. Mostly covering Megami Tensei tracks. Come by and say hello! https://linktr.ee/hitrison

Greetings everyone, Vandahlia here. New to this site in the capacity of a remixer since I primarily make original tracks, although game music remixes of 80s-90s titles is something that I do enjoy and sporadically make. All my stuff, both remixes and original music, can be found at Bandcamp: https://vandahlia.bandcamp.com Cheers!

Hi everyone! Just a quick intro as a newcomer. I am a hobbyist music producer/composer/remixer and very recently, singer. Big into FLstudio, and hoarder of VST plugins. I'm currently on YouTube primarily with 176 uploads as of June 2023, and have a few posts on Newgrounds, but I wanted to come to the original, OCremix! (Only I am many years late to the party) I'm a dad of 3 and carer to my severely disabled daughter, not being able to socialize much because of the lifestyle, making music is one of my escapes when I do get the time. My last big project was remixing the entire soundtrack to Psygnosis and Reflections "Destruction Derby" I also got the blessing of one of the co-producers of OST, which was nice. My name? *ahem* Xenon is a 1988 vertical scrolling shooter video game, the first developed by The Bitmap Brothers Draven, "The Raven", or "Avenger". Given the connection to the storyline of "The Crow", I was once Xenon_84 in Live For Speed many moons ago. (The online racing sim) I saw “The Crow” in my youth and took the name “Draven” Hi! I’m Xendraven

Kweh! I didn't logged in here since the day I joined, so it's probably worth to finally say hello instead of leaving the profile in ghost mode. I'm Unknown Pseudoartist but many people calls me just "UPA" as abbreviation. Most likely no one ever heard of me here but I'm infamously known in Dwelling of Duels, a monthly videogame music contest, for invading that place with weird shitposts using a silly vocal style to replace the main melody/leads (a vocal style that eventually was called as "chocobo vocals" or "birb noises"). It wasn't my intention to actually get into music making in a serious way, but just ruining other people's works to make people laught and help making this world a funnier place for everyone. However, my pseudomusic was unexpectedly warmly welcome to that place and eventually, as I got the support of so many kind and talented artists, I discovered that I can also make my own arrangements and cool stuff with it, and so I started trying serious stuff too that goes far awary from that silly shitpost thing I started doing 3 years ago. So, among my many archievements in the VGM scene there's the invasion of DoD by a bunch of chocobos over arguably decent music and crawling a lot of people to do more of that same thing along with me, the release of a 3-part album with 30 tracks each that was released 3/3/23 featuring over 33 musicians after 3 years of experience on this thing, and now also getting my best serious/non-bird track rejected (in my honest opinion unfairly) in OCR including accusations of "anonymous troll". Anyways, I just though that maybe it's a good time to extend the birds invasion to OCR territory, and maybe people here will eventually have their brains and ears hurt enough to actually like that stuff, just like I succeded doing in DoD. If anyone is curious enough after reading that message, you can find most of my music stuff here: https://unknownpseudoartist.bandcamp.com/ For examples of both sides (shitpost and serious), here's the first/main part of that 3-discs album, including mostly VGM covers with that "chocobo vocal style" and a few serious/instrumental tracks in between: https://unknownpseudoartist.bandcamp.com/album/unknown-pseudoalbum And here's a mostly serious album that is basically a collection of VGM covers from old DBZ fighting games (all from the Butouden saga except the first one, from Ultimate Battle 22). All here is instrumental and serious except the latest 2 tracks and bonus tracks, so no need to be afraid of the birds . https://unknownpseudoartist.bandcamp.com/album/metal-dragons-a-tribute-to-dragon-ball-z-games Thanks in advance to anyone who dares to listen

Hiya! I'm Nikki. I've entered on and off at Dwelling of Duels for years now under a couple of older names along with this one, but I've only lurked this place minimally, and I felt like trying to do something or other on here too, so here we are. I mostly just compose, arrange, and play guitar on my own time. You can find my long, extremely mixed-bag of a history of vgm arrange stuff and original works on my Youtube. That is a thing. So yeah, hi!